Peter Franklin is author of Mahler: Symphony No. 3, The Life of Mahler, and Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds.
Franklin examines the gendered tenets of Modernism that relegated film scores - along with Mahler and Rachmaninoff - to the cultural dumpster. He brilliantly dissects 20th-century canon formation and serves up luscious accounts of how music produces its powerful effects in favorite movies. Guilty pleasures exonerated! --Susan McClary, Professor of Music, UCLA Seeing Through Music breaks through entrenched cliches and uses symphonic film music to help rewrite the history of modernism and mass culture. Read this book, and trade your guilty pleasure in old movies and their music for guilt-free insight. --Lawrence Kramer, author of Interpreting Music Fascinating...highly recommended. --Choice An excellent contribution to the scholarly literature on both film music and musical modernism. Its significance lies in the way it links the two, allowing each to shed important light on the reception and aesthetic assumptions of the other. --Notes Invaluable for presenting a new perspective on the heavily examined topic of classic Hollywood films...Hopefully the groundwork it lays down will aid future scholars to fill the gaps extant in relation to the study and significance of film music. --Alphaville