A cultural history of nineteenth-century media imaginaries, Seeing Things tells the story of how Victorians experienced the virtual images created by modern optical technologies—magic lanterns, stereoscopes, phenakistoscopes, museum displays, and illusionistic stage magic. Amanda Shubert argues that interactions with these devices gave rise to a new virtual aesthetics—an understanding of visual and perceptual encounters with things that are not really there.
The popularization of Victorian optical media redefined visuality as a rational mode of spectatorship that taught audiences to distinguish illusion from reality. As an aesthetic expression of a civilizational ideal that defined the capacity to see but not believe, to be entertained without being deceived, it became a sign of western supremacy. By tracing the development of virtual aesthetics through nineteenth-century writings, from the novels of George Eliot and Charles Dickens to popular science writing and imperial travelogues, Seeing Things recovers a formative period of technological and literary innovation to explain how optical media not only anticipated cinema but became a paradigmatic media aesthetic of western modernity.
By:
Amanda Shubert
Imprint: Cornell University Press
Country of Publication: United States
Dimensions:
Height: 229mm,
Width: 152mm,
Weight: 907g
ISBN: 9781501783678
ISBN 10: 150178367X
Pages: 277
Publication Date: 15 November 2025
Audience:
College/higher education
,
Further / Higher Education
Format: Hardback
Publisher's Status: Active
Introduction: What Was the Virtual? 1. Magic Panic: The Pedagogy of Disenchantment 2. The Mirror of Ink: Realism, Orientalism, and Vision at a Distance 3. Mountains of Light: The Koh-i-Noor at the Great Exhibition 4. Recalled to Life: Phantasmagoria as the History of the French Revolution 5. Spinning in Place: Trapped in the Moving Picture Machine Epilogue: Arrival of a Train
Amanda Shubert is Teaching Faculty in English at the University of Wisconsin–Madison.
