MOTHER'S DAY SPECIALS! SHOW ME MORE

Close Notification

Your cart does not contain any items

Seeing Like an Artist

What Artists Perceive in the Art of Others

Lincoln Perry

$44.99

Hardback

Not in-store but you can order this
How long will it take?

QTY:

English
David R. Godine Publisher Inc
10 January 2023
""Beguiling and informative""-Wall Street Journal

Learn to see art as an artist does. Discover how a painting's composition or a sculpture's spatial structure influence the experience of what you're seeing. With an artist as your guide, viewing art becomes a powerfully enriching experience that will stay in your mind long after you've left a museum.

A visit to view art can be overwhelming, exhausting, and unrewarding. Lincoln Perry wants to change that. In fifteen essays-each framed around a specific theme-he provides new ways of seeing and appreciating art.

Drawing heavily on examples from the European traditions of art, Perry aims to overturn assumptions and asks readers to re-think artistic prejudices while rebuilding new preferences. Included are essays on how artists ""read"" paintings, how scale and format influence viewers, how to engage with sculptures and murals, as well as guides to some of the great museums and churches of Europe.

Seeing Like an Artist is for any artist, art-lover, or museumgoer who wants to grow their appreciation for the art of others.
By:  
Imprint:   David R. Godine Publisher Inc
Country of Publication:   United States
Dimensions:   Height: 228mm,  Width: 152mm,  Spine: 19mm
ISBN:   9781567926996
ISBN 10:   1567926991
Pages:   192
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

Lincoln Perry’s distinctive landscapes, figurative paintings, and sculptures have been the subject of numerous solo exhibitions across the country. His large-scale murals can be found in landmark buildings such as the Met Life building in St. Louis and the John Hancock Tower in Boston. The University of Virginia Press published the monograph, Lincoln Perry's Charlottesville, which included an essay and interview by his wife, Ann Beattie. A frequent contributor to American Scholar, Mr. Perry divides his time between Maine, Virginia, and Florida.

Reviews for Seeing Like an Artist: What Artists Perceive in the Art of Others

Praise for Seeing Like an Artist Perry covers 'how certain paintings and sculpture were made' in his conversational debut, a convincing 'plea to look closely.' Across 16 essays, Perry combines memoir and art criticism...'Reading Paintings' is a masterclass in technical components including color, shape, and what Perry calls velocity, or the speed with which the viewer is 'asked to read through the fictional space of the picture'....His guidance is well delivered: 'I'll try to evoke what I've come to love not because I believe it's what you should love, but, rather, because I hope my enthusiasm might inspire you to find what you love.' Budding art aficionados, take note. -Publishers Weekly Lincoln Perry has written an irresistibly readable, companionable, and quotable artist's memoir in this Grand Tour of commentary on museums (primarily European) and artists as varied as Rodin, Picasso, Corot, Bruegal, Veronese (the 'group figure narrative'), Bernini, Courbet, R.B. Kitaj, Masaccio and Masolino, Rubens, Pollock, and Rothko. There is no substitute for seeing art 'in situ,' as Perry tells us, but accompanying this ideal observer, a practicing artist with the sharp, sympathetic eye of a fellow craftsman, is an exhilarating experience. -Joyce Carol Oates, author of Babysitter So much writing about art seems like useless noise-abstract, pretentious, gassy. This is not that. Lincoln Perry takes us on a journey, showing us what he sees and how he sees, and it's wonderful. There is revelation on every page. -James Gleick, author of Time Travel: A History Lincoln Perry writes so clearly and sees everything in a state of wonder. His visual experience embraces ancient Greece, the Renaissance, African and Asian art, Modernism. He finds the abstractionist in Michelangelo and the storyteller in Picasso. No one knows how to cite quotations better than he. He has looked into museums all over the world and literally lived in a camper next to the Louvre. He is a wonderful companion on the page and an unintimidating expert: this book will open your eyes. -Edmund White, author of A Previous Life


See Also