Schnittke Studies

Gavin Dixon

$90.99

Paperback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Routledge
07 February 2019

The Arts: General & Reference; Theory of music & musicology; 20th century & contemporary classical music; Regional studies; Regional geography

Alfred Schnittke (1934-1998) was arguably the most important Russian composer since Shostakovich, and his music has generated a great deal of academic interest in the years since his death. Schnittke Studies provides a variety of perspectives on the composer and his music. The field is currently diverse and vibrant, and this book demonstrates the range of academic approaches being applied to Schnittke’s work and the insights they provide, covering: polystylism, for which Schnittke is best known, the significance of the composer’s Christian faith, and detailed formal analyses of key works, with connections drawn between the apparently divergent periods of the composer’s career. This book has been prepared as a memorial to Professor Alexander Ivashkin, a leading scholar in the field, who died in 2014, and will be of interest not only to those studying Schnittke's music, but also those with an interest in late Soviet-era music in general.

Edited by: Gavin Dixon
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 430g
ISBN: 9780367229924
ISBN 10: 0367229927
Pages: 304
Publication Date: 07 February 2019
Audience: College/higher education , General/trade , Primary , ELT Advanced
Format: Paperback
Publisher's Status: Active

Contents Preface - Gavin Dixon PART I - INTERPRETATIVE STUDIES Chapter 1 ‘Crucifixus Etiam Pro Nobis’: Representations of the Cross in Alfred Schnittke’s Symphony No. 2 ‘St. Florian’ - Ivan Medić Chapter 2 Alfred Schnittke and the Znamennyi Raspev - Emilia Ismael-Simental Chapter 3 Negative Spirituality and the Inversion of Christianity as Media of Social Criticism in Alfred Schnittke’s Opera Life with an Idiot - Amrei Flechsig Chapter 4 Polystylism as Dialogue: Interpreting Schnittke through Bakhtin - Gavin Dixon PART II - THEORETICAL STUDIES Chapter 5 Schnittke’s Polystylistic Schemata: Textural Progression in the Concerti grossi - Gordon E. Marsh Chapter 6 Symmetrical Constructions in the Fourth Movement of Alfred Schnittke’s String Quartet No. 4 - Aaminah Durrani PART III - RUSSIAN PERSPECTIVES Chapter 7 ‘Faith through Scepticism’: Desacralisation and Resacralisation in Schnittke’s First Symphony - Victoria Adamenko Chapter 8 On the Late Style of Alfred Schnittke (The Instrumental Works) - Evgeniia Chigareva Chapter 9 The Schnittke Code - Alexander Ivashkin APPENDIX Revised Catalogue of Alfred Schnittke’s Sketches in the Juilliard Manuscript Collection - Ivana Medić

Gavin Dixon is an academic, writer, and editor based in Hertfordshire, UK. His studies with Professor Alexander Ivashkin at Goldsmiths, University of London, led to a PhD on the symphonies of Alfred Schnittke in 2007. Since then, he has continued to be active in Schnittke scholarship, as a Visiting Research Fellow at Goldsmiths and as a member of the editorial team for the Alfred Schnittke Collected Works edition, currently being published in St Petersburg. Gavin is also a Curator of Musical Instruments at the Horniman Museum in London. As a journalist, Gavin has contributed to a wide range of music publications including Gramophone, BBC Music Magazine, Tempo, Classical Music, and Limelight (Australia). He is also Music Editor of Fanfare, America’s leading classical CD review magazine.

Reviews for Schnittke Studies

It is hard to imagine a more cogent introduction to and summary of Schnittke scholarship. Schnittke Studies is an invaluable resource for anyone interested in his music, as well as those who may be itching to take up some of the less explored areas of his work and influence. - Ian Power in Tempo, July 2017 In many ways this is the book on Schnittke we have all been waiting for. It brings together an international group of scholars working on Schnittke's legacy from many different perspectives, but all of them acknowledging a tremendous debt to the work of Alexander Ivashkin, to whose memory the collection is dedicated.(...) In sum, this collection of essays is essential reading for anyone interested in Schnittke's legacy. It shows the diversity of possible approaches in evaluating his work, and the way in which new scholarship both builds on earlier research and expands it into new and fascinating areas. - Ivan Moody, CESEM - Universidade Nova, Lisbon Dr Dixon is to be congratulated on assembling a strong and varied team for this handsomely produced memorial volume. The complexity of Shnittke's music and thought are very evident, so that it is principally a book for musicologists rather than the casual general reader, despite the lucidity of much of the writing. The collection makes a major contribution to understanding the fascinating composer to whom Ivashkin devoted so much of his career both as a scholar and as an outstanding performer. - Arnold McMillin, SLAVONIC & EAST EUROPEAN REVIEW, July 2017