Saints, Sinners, and Sisters: Gender and Northern Art in Medieval and Early Modern Europe

— —

Jane L. Carroll Alison G. Stewart

Saints, Sinners, and Sisters

Gender and Northern Art in Medieval and Early Modern Europe

Jane L. Carroll, Alison G. Stewart

$103

Paperback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Routledge
06 March 2017

History of art: Byzantine & Medieval art; Social & cultural history; Gender studies, gender groups

A collection of original essays, Saints, Sinners, and Sisters showcases the diverse questions currently being asked by gender scholars dealing with French, Netherlandish and German art from the medieval and early modern periods. Moving beyond the reclamation of personalities and oeuvres of 'lost' female artists, the contributors pose questions about gender and sex within specific historical contexts, addressing such issues as intended audience, use of the object, and patronage. These avenues of inquiry intersect with larger cultural questions concerning societal control of women. The book's three sections, 'Saints,' 'Sinners,' and 'Sisters, Wives, Poets' are each preceded by a concise introductory essay, detailing themes and offering reflective comparisons of theses and information. In 'Saints,' contributors look at women who were positive exemplar used by society to uphold standards. In the second section, the essays focus on the power of women's sexuality. The third section expands beyond the customary dichotomous division of the first two to examine women in diverse roles not widely studied as positions of women in those times. This final section expands our definitions of women's responsibilities and realigns them historically; it argues that women, and thus gender, need to be understood within a much broader historical context and beyond simplistic approaches sometimes superimposed by present-day readers on past times. This volume answers an acute need for research on the art of Northern Europe prior to the 20th century, and highlights the possibilities of new directions in the field. The effect of the new scholarship presented here is to broaden the discursive field, allowing fluidity of disciplinary boundaries, resulting in a volume that is illuminating to historians of more than art alone.

Edited by: Jane L. Carroll, Alison G. Stewart
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 430g
ISBN: 9781138256491
ISBN 10: 1138256498
Pages: 298
Publication Date: 06 March 2017
Audience: Professional and scholarly , College/higher education , Undergraduate , A / AS level
Format: Paperback
Publisher's Status: Active

Jane L. Carroll, Alison G. Stewart

Reviews for Saints, Sinners, and Sisters: Gender and Northern Art in Medieval and Early Modern Europe

Saints, Sinners and Sisters received an Honorable Mention by the Society for the Study of Early Modern Women for a collaborative project published in 2003 'This is an important collection of essays that addresses the diverse roles that women played in the visual culture of northern Europe during the medieval and early modern eras... the sensitivity of each author to issues of historiography and methodology makes this collection a particularly rewarding read and a rich source for study in seminars on gender and northern European art.' Jean C. Wilson, Renaissance Quarterly 'This anthology fills a major lacuna in the study of Northern European art... the clearly written and well illustrated articles should be accessible - indeed inspiring - to most intelligent undergraduates.' HNA Newsletter 'The level of scolarship... is uniformly high.' CAA Reviews, November 2005 'The collection challenges art historians to build upon the precedent-setting feminist and gender studies... As it reaches a wider audience, the volume goes a long way towards incorporating the issues of gender, sex, and class into broader textbook knowledge.' Sixteenth Century Journal