'The Moving Finger writes; and, having writ Moves on: nor all thy Piety nor Wit Shall lure it back to cancel half a line Nor all thy tears wash out a word of it.'
In the 'rubáiyát' (short epigrammatic poems) of the medieval Persian poet, mathematician, and philosopher Omar Khayyám, Edward FitzGerald saw an unflinching challenge to the illusions and consolations of mankind in every age.
His version of Omar is neither a translation nor an independent poem; sceptical of divine providence and insistent on the pleasure of the passing moment, its 'Orientalism' offers FitzGerald a powerful and distinctive voice, in whose accents a whole Victorian generation comes to life.
Although the poem's vision is bleak, it is conveyed in some of the most beautiful and haunting images in English poetry - and some of the sharpest- edged.
The poem sold no copies at all on its first appearance in 1859, yet when it was 'discovered' two years later its first admirers included Dante Gabriel Rossetti, Swinburne, and Ruskin.
Daniel Karlin's richly annotated edition does justice to the scope and complexity of FitzGerald's lyrical meditation on 'human death and fate'.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
By:
Edward FitzGerald Edited by:
Daniel Karlin (Professor of English University of Sheffield) Imprint: Oxford University Press Country of Publication: United Kingdom Dimensions:
Height: 196mm,
Width: 130mm,
Spine: 14mm
Weight: 182g ISBN:9780199580507 ISBN 10: 0199580502 Series:Oxford World's Classics Pages: 240 Publication Date:01 September 2010 Audience:
General/trade
,
ELT Advanced
Format:Paperback Publisher's Status: Active
Reviews for Rubáiyát of Omar Khayyám
`Review from previous edition 'handsome, richly illuminating'' Boyd Tonkin, Independent
