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English
Columbia University Press
14 June 2016
The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinéma from 1957 to 1963, Éric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved.

This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: François Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume.

By:   ,
Translated by:   ,
Imprint:   Columbia University Press
Country of Publication:   United States
Dimensions:   Height: 254mm,  Width: 178mm,  Spine: 43mm
Weight:   1.389kg
ISBN:   9780231175586
ISBN 10:   0231175582
Pages:   608
Publication Date:  
Audience:   College/higher education ,  A / AS level ,  Further / Higher Education
Format:   Hardback
Publisher's Status:   Active

Antoine de Baecque is a professor of the history of cinema at the University of Nanterre. He has published biographies of Francois Truffaut and Jean-Luc Godard and was editor in chief of Cahiers du cinema. Noel Herpe is a senior lecturer at the Universite de Paris VIII. He has published works on Rene Clair and Sacha Guitry, as well as a book of interviews with Eric Rohmer about his text Le Celluloid et le Marbre.

Reviews for Éric Rohmer: A Biography

Antoine de Baecque and No l Herpe achieve in this scrupulously researched volume the paradoxical feat of delivering the definitive biography of a pseudonymous subject. Eric Rohmer will interest film historians, theorists of film, enthusiasts of French cinema, and film directors both aspiring and established, for whom Rohmer's low-budget modus operandi remains one of the miracles of modern film production. This, the first biography of Rohmer (n Maurice Sch rer), is likely also to be the last. -- Derek Schilling, Johns Hopkins University Rohmer was sensitive, very well educated, and at home with literature, music, painting and theater; the biography shows a happy life lived in such culture. It shows how this flows easily into his films, how they operate as experiments in feeling and perception. The book makes one hungry to see them all over again. -- Dudley Andrew, Yale University One of the most distinguished filmmakers of the French new wave... [de Baecque and Herpe] pull off the high-wire act of appealing to both film scholars and lay readers with a combination of comprehensive research and engaging storytelling. The book will foster a renewed appreciation of a complex artist and the remarkable body of work he left behind. Publishers Weekly (starred review)


  • Winner of Best Summer Books 2016

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