Revelationist Aesthetics in Contemporary Cinema: An Intellectual History (1950s–2000s)

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Karel Pletinck

Revelationist Aesthetics in Contemporary Cinema

An Intellectual History (1950s–2000s)

Karel Pletinck

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Hardback

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English

Amsterdam University Press
12 August 2025

Art & design styles: Modernist design & Bauhaus; Film theory & criticism; Philosophy: aesthetics

Series: Film Theory in Media History

On the cusp of the twenty-first century, the notion of art as revelation of reality held sway in film aesthetics and criticism. Where did this seemingly naive belief in the vocation of art originate, what sustained it, and how did it shape the work of filmmakers, as diverse as Jean-Luc Godard, Jean-Marie Straub and Danièle Huillet, and Abbas Kiarostami? These questions launch this book’s exploration of the revelationist tradition from the 1950s to the early 2000s, revisiting a formative period in film history – from Italian Neorealism and the Nouvelle Vague to political modernism – and assessing its lasting impact on contemporary cinema. With the passing of its last major figures, Godard and Straub, in 2022, a critical reassessment of this tradition is timely.

By: Karel Pletinck
Imprint: Amsterdam University Press
Dimensions: Height: 234mm, Width: 156mm,
ISBN: 9789048563401
ISBN 10: 9048563402
Series: Film Theory in Media History
Pages: 278
Publication Date: 12 August 2025
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Karel Pletinck is a postdoctoral researcher interested in the interconnections between history, philosophy, and the arts, with a focus on post-war Europe. He has published his work in journals such as French Forum, Journal of Aesthetics and Culture, and French Screen Studies.