The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic.
Exploring how we can reconceptualize the High Renaissance in a way that reflects how we research and teach today, this volume complicates and deepens our understanding of artistic change.
Focusing on Rome, the paradigmatic centre of the High Renaissance narrative, each essay presents a case study of a particular aspect of the culture of the city in the early sixteenth century, including new analyses of Raphael's stanze, Michelangelo's Sistine Ceiling and the architectural designs of Bramante. The contributors question notions of periodization, reconsider the Renaissance relationship with classical antiquity, and ultimately reconfigure our understanding of 'high Renaissance style'.
Edited by:
Jill Burke
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions:
Height: 246mm,
Width: 174mm,
Spine: 21mm
Weight: 453g
ISBN: 9781138272668
ISBN 10: 1138272663
Series: Visual Culture in Early Modernity
Pages: 408
Publication Date: 11 November 2016
Audience:
College/higher education
,
General/trade
,
Primary
,
ELT Advanced
Format: Paperback
Publisher's Status: Active
Contents: Preface; Inventing the High Renaissance from Winckelmann to Wikipedia: an introductory essay, Jill Burke; Part I Vantage Points: Teaching (and thinking about) the High Renaissance, with some observations on its relationship to Classical Antiquity, Brian A. Curran; Figments and fragments: Julius II's Rome, Suzanne B. Butters; Humanists, historians and the fullness of time in Renaissance Rome, Kenneth Gouwens; Cellini's Roma, Gwendolyn Trottein; On the unity/disunity of the arts: Vasari (and others) on architecture, David Cast. Part II Making the High Renaissance: Classicism, Conflation and Culmination: Bramante and the origins of the 'High Renaissance', Christoph Luitpold Frommel; Classical mistranslations: the absence of a modular system in Calvo's De Architectura, Angeliki Pollali; Giuliano da Sangallo between Florentine Quattrocento and Roman High Renaissance, Sabine Frommel; Perugino, Raphael and the decoration of the Stanza dell'Incendio, Michael Bury; Forgery, faith and divine hierarchy after Lorenzo Valla, Meredith J. Gill; The conception and design of Michelangelo's Sistine Chapel ceiling: 'wishing to shed a little light upon the whole rather than mentioning the parts', David Hemsoll; Pope Clement VII and the decorum of medieval art, Sheryl E. Reiss; Bibliography; Index.
Jill Burke is Senior Lecturer in the History of Art at the University of Edinburgh, UK.
Reviews for Rethinking the High Renaissance: The Culture of the Visual Arts in Early Sixteenth-Century Rome
'The volume deserves to be commended for its graceful approach to the High Renaissance, conveying the hazards but also the value of employing such a concept. By acknowledging the High Renaissance as a construct of extraordinary enduring power, and also by linking it to sixteenth-century practice and experience, this book encourages new ways of thinking for specialists and a broad interested public alike.' Sixteenth Century Journal
