This study examines the role played by regional cultures in modern art and visual culture in Central Europe between 1918 and 1938.
Analysing paintings, photographs, prints, and illustrated magazines in relation to topics such as tourism, social activism, rural exoticism, gender, and ethnic diversity, the book offers a fresh perspective on Central European art and visual culture. It pays particular attention to Austria, a country often ignored in histories of modernism in Central Europe, yet one where the countryside gained high visibility as a part of modern culture between the wars. Examples from Czechoslovakia and Hungary also play an important role in comparison and challenge the nationally fragmented histories of modernism in the region. The book’s approach overall is also relevant beyond Central Europe: it corrects assumptions that modern art and visual culture were at home in the urban space and emphasises the role of the countryside as an agent of renewal and emancipation in order to construct a more nuanced history of modernism.
The book will be of interest to scholars studying art history, Central European studies, European Studies, modernism, and cultural history.
The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
By:
Julia Secklehner (Masaryk University Austria) Imprint: Routledge Country of Publication: United Kingdom Dimensions:
Height: 246mm,
Width: 174mm,
Weight: 453g ISBN:9781032658810 ISBN 10: 1032658819 Series:Routledge Research in Art History Pages: 180 Publication Date:02 August 2024 Audience:
College/higher education
,
Further / Higher Education
Format:Hardback Publisher's Status: Active
Introduction: Central European modernism and the countryside 1. Dreams of Autonomy: Regionalism as post-war regeneration 2. Constructing the Countryside: Regionalism’s rise to soft diplomacy 3. Paradise of Leisure: The modern countryside in tourism, fashion and popular culture 4. Rural Utopia. Heimat photography between popular nationalism and modernist experimentation 5. Socialist dystopia? Leftist visual culture and rural margins as a political battleground 4. Rural Exotic: The Countryside as a Place of Difference Conclusion: The interwar years as an age of provincial rule?
Julia Secklehner is a Research Fellow at Masaryk University in Brno, Czech Republic.
