Resistance and Support: Contact Improvisation @ 50 is a ground-breaking anthology that collects twenty original writings that elucidate critically important somatic and political perspectives on Contact Improvisation (CI). This form of partner dancing that was started in the United States in 1972, has spread into a vibrant global community in the twenty-first century. Resistance and Support is edited and includes an introduction by veteran CI practitioner and dance studies scholar Ann Cooper Albright. For much of its existence in the twentieth century, Contact Improvisation prided itself on its democratic and egalitarian roots. Jams are open to newcomers, women learned to lift men, and dancing roles were not conventionally gendered in the traditional sense of partnered dancing such as tango or ballroom. These conventions meant that questions of social power were often ignored within the jams and festivals where Contact Improvisation thrives. This thoughtful collection engages issues of inclusion and access through insightful essays written by people whose life experiences are shaped by this extraordinary form of kinaesthetic communication. Chapters trace the stories of CI in China and Taiwan, India, Mexico, Brazil, as well as those in the U.S., Canada, and Europe. Some discuss the somatic training that provides a movement basis for the improvisational exchanges between dancers. Others foreground the feminist and queer perspectives on the evolving twenty-first century practice of the form. Several elaborate on the healing, spiritual, or therapeutic aspects of CI, while others explore the mixed ability approaches to the form popularized by Alito Alessi's Dance Ability pedagogy. Like Critical Mass: CI @ 50, the international conference and festival honoring CI's 50th anniversary from which these writings emerged, these essays both celebrate the expansive possibilities and critique some of the exclusionary conventions of this ever-evolving form of communal dance.
Volume editor:
Ann Cooper Albright (Professor of Dance Professor of Dance Oberlin College)
Imprint: Oxford University Press Inc
Country of Publication: United States
Dimensions:
Height: 25mm,
Width: 178mm,
Spine: 254mm
Weight: 777g
ISBN: 9780197776261
ISBN 10: 0197776264
Pages: 378
Publication Date: 26 January 2025
Audience:
Professional and scholarly
,
Undergraduate
Format: Hardback
Publisher's Status: Active
Introduction, Ann Cooper Albright Productive Tensions Introduction by Ann Cooper Albright 1) ""Mindfully Rocking and Rolling: Contact Improvisation as a Feminist Practice in the Turbulent 'Seventies"" by Dena Davida 2) ""Getting There from Here: A Roadmap to Safer Brave Open Jams"" by Michele Beaulieux 3) ""Gender, Power, and Equity in Contact Improvisation"" by Kristin Horrigan 4) ""Not: Not Contact Improvisation"" by Joy Mariama Smith, edited by Asimina Chremos 5) ""Doing it wrong. Contact's counter counter-cultures"" by Emma Bigé and Paul Singh 6) ""Tracing the Natural Body for More Inclusive and Equitable CI Futures"" by Robin Raven Prichard 7) ""Underscoring Nancy Stark Smith's legacy: definitions and disruptions"" by Sarah Young Responsive Touch Introduction by Ann Cooper Albright 8) ""The Small Dances of Listening"" by Lesley Greco 9) ""Listening Touch"" by Rosalind Holgate Smith 10) ""Therapeutic Applications of Contact Improvisation"" by Aaron Brando and Gabrielle Revlock 11) ""XCI: Intimacy in Contact Improvisation"" by Aramo Olaya 12) ""Rolling and Knowing: Reflections on the Endurance of the CI Event"" by Brian Schultis 13) ""Something we touch or that touches us - a newcomer locating themselves in Contact"" by Lisa Claire Greene 14) ""The Religious Function of Contact Improvisation"" by Carol Laursen Local Communities/Global Contexts Introduction by Ann Cooper Albright 15) ""Resistance and Horizons: EPIICO, Community and Self-Organization"" by Ariadna Franco Martínez, Esmeralda Padilla García, Elisa Romero Morato, Mariana Torres Juárez and Laura Villeda Aguirre, translated by Caroline Tracey 16) ""Making Contact: Practicing and creating spaces of Contact Improvisation in India"" by Guru Suraj and Adrianna Michalska 17) ""Contact Improvisation in China and Taiwan"" roundtable discussion with Ming-Shen Ku, Shuyi (Candy) Liao, Xiao Zhang, Huichao (Dew) Ge; introduction by Ge; transcription and translation by Yuting (Elsie) Wang 18) ""Deviant Bodies: improvising survival in Brazil"" by Ana Carolina Bezerra Teixeira 19) ""Queering Contact Improvisation with Sara Ahmed (and the wheelchair)"" by Mª Paz Brozas Polo 20) ""Intensive Curiosity: A Dialogue about Teaching CI"" by Joe Dumit and Dorte Bjerre Jensen Index
A veteran practitioner of Contact Improvisation, Ann Cooper Albright is Professor of Dance at Oberlin College. Combining her interests in dancing and cultural theory, Albright teaches a variety of courses that seek to engage students in both practices and theories of the body. She is the author of Simone Forti: Improvising a Life (2024), as well as How to Land: Finding ground in an Unstable World which offers ways of thinking about and dealing with the uncertainty of our contemporary lives. She has also authored the following: Engaging Bodies: The Politics and Poetics of Corporeality; Modern Gestures: Abraham Walkowitz Draws Isadora Duncan Dancing; Traces of Light: Absence and Presence in the Work of Loïe Fuller; and Choreographing Difference: the Body and Identity in Contemporary Dance. She facilitated Critical Mass: CI @ 50 which brought 300 dancers from across the world to learn, talk, and dance together in celebration of the 50th anniversary of this extraordinary form. The book Encounters with Contact Improvisation is the product of one of her adventures in writing and dancing and dancing and writing with others. Her work has been supported by the NEA, NEH, ACLS, The Guggenheim Foundation, the Jerome Foundation, and the Ohio Arts Council.
Reviews for Resistance and Support: Contact Improvisation @ 50
Like the diversity of contact improvisation communities in the world, the authors here present their differing experiences, opinions, analysis and research, offering opportunities to laugh, cry, argue, sigh, and recall that the ongoing human, magical and mycelium-like dance practice of contact improvisation, constantly re-invented and changed by the cultures of people who practice it, is alive and well. * Karen Nelson, independent dance artist, Contributing Editor Contact Quarterly, and Co-Editor CQ's CI 50 Newsletter * Resistance and Support is a much-needed uninhibited critique of Contact Improvisation that moves against and with its utopian proposal to disrupt hierarchies and assumptions in Post Modern Dance. These essays prompt an urgent reevaluation of how freedom is understood within Contact Improvisation. This provocative collection uplifts a collective of diverse voices and bodies that finally get to have their say while simultaneously inviting others into the conversation. * Mayfield Brooks, creator of Improvising While Black (IWB) *
