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Representations of Femininity in American Genre Cinema

The Woman's Film, Film Noir, and Modern Horror

David Greven

$107.95   $86.53

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English
Palgrave Macmillan
11 September 2013
The theme of female transformation informs the Hollywood representation of

femininity from the studio era to the present. Whether it occurs physically,

emotionally, or on some other level, transformation allows female protagonists

to negotiate their own complex desires and to resist the compulsory marriage

plot. A sweeping study of Hollywood from Now, Voyager, The Heiress, and Flamingo

Road to Carrie, the Alien films, The Brave One, and the slasher horror genre,

this book boldly unsettles commonplace understandings of genre film, female

sexuality, and Freudian theory as it makes a strong new case for the queer

relevance of female representation.
By:  
Imprint:   Palgrave Macmillan
Country of Publication:   United Kingdom
Dimensions:   Height: 216mm,  Width: 140mm,  Spine: 12mm
Weight:   295g
ISBN:   9781137354990
ISBN 10:   1137354992
Pages:   214
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Femininity and Film Genres Freud and the Death-Mother Transformations of the Woman's Film Modern Horror as the Concealed Woman's Film Medusa in the Mirror: Brian De Palma's Carrie Demeter and Persephone in Space: Transformation, Femininity, and Myth in the Alien Films The Finalizing Woman: Horror, Femininity, and Queer Monsters The Brave One

David Greven is Associate Professor of English at the University of South Carolina, USA. His books include Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese and Friedkin; The Fragility of Manhood: Hawthorne, Freud, and the Politics of Gender; and Men Beyond Desire: Manhood, Sex, and Violation in American Literature. Greven's essays on film have been published in journals such as the Quarterly Review of Film and Video, Cinema Journal, Genders, Jump Cut, CineAction, and Cineaste and he is on the editorial boards of Cinema Journal, Genders, and Poe Studies.

Reviews for Representations of Femininity in American Genre Cinema: The Woman's Film, Film Noir, and Modern Horror

David Greven's 2011 study is an intriguing exploration into the woman's film ... The project sets a high bar in utilizing both feminist and gay readings of the woman's film, and insightfully synthesizes these theories ... The overall project is clearly written and thoroughly researched ... The study is an engaging read. - American Studies Today David Greven sets out to give a reading of femininity and its representation in film which is founded, like Freud's Oedipus theory, in classical mythology, and also takes into account queer perspectives ... [The] book is well structured and clear, and Greven makes a strong case for the relationship between the modern horror film and earlier women's films in terms of the representations of femininity and sexuality in the two. His ideas are clearly explored and well backed up, and the text makes for an interesting and engaging read. - Journal of American Studies


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