Hajni Elias is an affiliated lecturer in Chinese art and material culture in the Faculty of Asian and Middle Eastern Studies and the History of Art Department at the University of Cambridge. She was previously senior international researcher in the Chinese Works of Art Department at Sotheby’s.
Southwestern tomb reliefs, clay figurines and cemetery stelae here become springboards to vignettes about (for example) indigenous salt miners, bare-chested entertainers, and increasingly powerful regional governors, respectively. Yet as Elias adeptly argues, these artifacts aren’t just ideal representations or afterlife fantasies; they’re preserved pictures of daily life and lived ritual. -- K.E. Brashier, Thomas Lamb Eliot Professor of Religion and Humanities, Emeritus, Reed College A major contribution to our understanding of Han memorial and funerary culture hitherto predominantly studied through the lens of the Central Plains. Elias approaches the art and material culture of the Southwest with refreshing nuance and visual literacy. This wide-ranging study will substantively enrich our picture of the region’s distinct identity. -- Roel Sterckx, University of Cambridge Through a perceptive analysis of Eastern Han (25-220) Sichuan’s rich material culture, Elias shows us the world of lesser elite families and the area’s unique regional culture. She boldly argues that these artifacts do not merely depict a happy afterlife, but also lavish funerary celebrations that underscored the goodness of life in this world. -- Keith N. Knapp, co-editor of the <i>Cambridge History of China, Volume 2: The Six Dynasties, 220-589</i>