Remaking Race and History

The Sculpture of Meta Warrick Fuller

Renée Ater

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Hardback

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English

University of California Press
22 November 2011

Art & design styles: c 1900 to c 1960; Sculpture; Individual artists, art monographs

This beautifully written study focuses on the life and public sculpture of Meta Warrick Fuller (1877–1968), one of the early twentieth century's few African American women artists. To understand Fuller's strategy for negotiating race, history, and visual representation, Renée Ater examines the artist's contributions to three early twentieth-century expositions: the Warwick Tableaux, a set of dioramas for the Jamestown Tercentennial Exposition (1907); Emancipation, a freestanding group for the National Emancipation Exposition (1913); and Ethiopia, the figure of a single female for the America's Making Exposition (1921). Ater argues that Fuller's efforts to represent black identity in art provide a window on the Progressive Era and its heated debates about race, national identity, and culture.

By: Renée Ater
Imprint: University of California Press
Country of Publication: United States
Dimensions: Height: 254mm, Width: 178mm, Spine: 23mm
Weight: 726g
ISBN: 9780520262126
ISBN 10: 0520262123
Pages: 214
Publication Date: 22 November 2011
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Renee Ater is Associate Professor of American Art in the Department of Art History and Archaeology at the University of Maryland, College Park. She is also the author of Keith Morrison.

Reviews for Remaking Race and History: The Sculpture of Meta Warrick Fuller

Recommended. -- K.N. Pinder Choice 20120905 An important sourcebook on this otherwise under-recognized artist. -- Linda Kim CAA Reviews 20120824 Impressive and important... Ater makes a noteworthy contribution to African American art history. -- James Smalls, University of Maryland AHAA: Association Of Historians Of American Art 20130219 An examplar of a more integrated art history. [Ater] is especially gifted with compartive stylistic and incographic analysis of period sculpture. -- John Ott Art Bulletin 20130301