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Relational Encounters with Folk School Pedagogies

Craft as Creative Inquiry

Amber Ward

$305

Hardback

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English
Routledge
18 March 2025
This book explores folk school pedagogies through craft as creative inquiry. Using a study at and inspired by The Clearing Folk School, a continuing education institution located at the northern tip of the Door County Peninsula, Wisconsin, United States, it explores the crafting of teaching practices from learners, educators, researchers, artists, animals, land, plants, and sky. The author shows how such practices function as an antidote to contemporary anthropocentric, environmental, and political crises. Contributing to conversations in posthuman ethics, it engages folk school pedagogies between humans and more-than-humans through thinking, writing, folding, interviewing, collaging, and journaling. Exploring craft as creative inquiry that works against conventional methods of and assumptions about research, it ultimately investigates the utility of folk school teaching practices that highlight relations between beings and things as kin. As such, it will appeal to scholars, researchers, faculty, and postgraduate students working across research methods, arts education, and educational philosophy by taking seriously relational pedagogies and perspectives through craft as creative inquiry.
By:  
Imprint:   Routledge
Country of Publication:   United Kingdom
Dimensions:   Height: 229mm,  Width: 152mm, 
Weight:   510g
ISBN:   9781032503356
ISBN 10:   1032503351
Pages:   173
Publication Date:  
Audience:   College/higher education ,  Further / Higher Education
Format:   Hardback
Publisher's Status:   Active

Amber Ward is Associate Professor of Art Education at Florida State University, USA. Her research uses creative approaches of inquiry to explore the material practices of craft, feminism, and sustainability and mend the world around us.

Reviews for Relational Encounters with Folk School Pedagogies: Craft as Creative Inquiry

How can the gentle wisdom of folk schools reshape the future of educational research? Amber Ward’s Relational Encounters with Folk School Pedagogies draws inspiration from the history of The Clearing Folk School and the enduring vision of Jens Jensen to redefine pedagogy, ethics, and inquiry. At the heart of this work is the concept of craft as creative inquiry—a relational process that bridges art, nature, and posthuman philosophy. Ward skillfully integrates folk school principles with innovative approaches to research, offering a vision of inquiry that is as tactile and grounded as it is transformative. By embracing materially meaningful practices like sewing, collaging, and journaling, this book reimagines research as an act of wonder and care, always in motion and always in relation. With profound insight and imaginative depth, Relational Encounters invites readers to weave new ways of thinking and being—crafting a more connected, ethical, and creative future for educational research. Maureen Flint, University of Georgia, USA Amber Ward provides new understandings of craft education and folk school pedagogies, beautifully weaving together personal and embodied narratives of craft practice through a posthumanist lens. The book traces lines of influence and relational interdependence that emerge through crafting with the land, communities, pedagogies, and technologies; illuminating entangled global histories of colonization and capitalism with threads of resistance generated from creative inquiry and collective learning with the earth. In addition to its impressive breadth, the book is a creative resource, providing inspiration and practical suggestions for building partnerships through crafting as a mode of care and connection. Cala Coats, Arizona State University, USA Relational Encounters with Folk School Pedagogies vividly explores ecological visions for educational research. This intimate, evocative text asks us to see afresh the possibilities of teaching and research embedded in deep webs of relationality with places, people, and more-than-human others. Acknowledging the pressures to conform that so often prevail and contribute to unequal and unjust societal, environmental, and educational conditions, Ward offers a welcome corrective. She tenaciously invites us to rethink our understandings of craft and crafting, care, materiality, technology, time, humanity, and creative inquiry for renewed existence and response-abilities in the world. This book is for any educational researcher invested in social and ecological change through ethical, embodied, emplaced inquiry. Joy Bertling, University of Tennessee, USA


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