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Dr Sneha Kar Chaudhuri is Assistant Professor in the Department of English at West Bengal State University. She received her BA (Hons), MA and PhD degrees in English from Jadavpur University, Kolkata, India. She is the Editorial Board member of the international peer-reviewed journal, Neo-Victorian Studies (Swansea University, UK). Her recent publications include a chapter on Tagore's adaptations in Tagore's Drama in the Perspective of Indian Theatre (2020). Her co-edited volume is entitled Tagore's Ideas of the New Woman: The Making and Unmaking of Female Subjectivity (2017). Her areas of specialization are Neo-Victorian Studies, historical fiction and cinema, Adaptation Studies and Gender Studies. Dr Ramit Samaddar is Assistant Professor of English at Jadavpur University. His areas of interest are Romanticism, Victorian studies, travel writing, Bollywood cinema, and Hindi literature.
"Featuring chapters on many of Shyam Benegal's most important productions (and an informative interview with the filmmaker), this fascinating book is not only a definitive work on Benegal's career, but also an important contribution to scholarship on parallel cinema and post-1970s Indian film more broadly.--Noel Brown, Liverpool Hope University ReFocus: The Films of Shyam Benegal, offers a comprehensive and critical introduction to the vast body of work by a filmmaker who has been committed to studying Indian society and history through cinema. The essays in this volume provide in-depth analysis of the varied and intersecting forces including caste, gender, class, religion and conflicting histories -- that shape modern Indian experiences. The book productively expands understandings of India's multifaceted, parallel cinema and brings needed attention to the oeuvre of a lesser-studied filmmaker.--Aparna Sharma, University of California Los Angeles Re-Focus: The Films of Shyam Benegal (2022), edited by Sneha Kar Chaudhuri and Ramit Samaddar, comes as a refreshing contribution to this fledgling area of Shyam Benegal studies. The merit of this volume lies in its scope, as it devotes as much critical attention to Benegal's canonical films as it does to his lesser-known recently released films. This volume, pertinently, situates Benegal within an evolving cultural context inhabited by the criss-crossing of multiple discourses and the metamorphosis of the Indian nation from the Nehruvian to the neoliberal era. It will be of immense value for the academicians and researchers who work in the field of Benegal studies in particular and film studies in general.--Studies in South Asian Film & Media ""Subham Dutta"" Re-Focus: The Films of Shyam Benegal (2022), edited by Sneha Kar Chaudhuri and Ramit Samaddar, comes as a refreshing contribution to this fledgling area of Shyam Benegal studies. The merit of this volume lies in its scope, as it devotes as much critical attention to Benegal's canonical films as it does to his lesser-known recently released films. This volume, pertinently, situates Benegal within an evolving cultural context inhabited by the criss-crossing of multiple discourses and the metamorphosis of the Indian nation from the Nehruvian to the neoliberal era. It will be of immense value for the academicians and researchers who work in the field of Benegal studies in particular and film studies in general.--Subham Dutta ""Studies in South Asian Film & Media"""
The Brothers Mankiewicz
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The Screens of Virtual Production...
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The Art of Directing
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Godzilla
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