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ReFocus

The Films of Roberta Findlay

Peter Alilunas Whitney Strub

$44.99

Paperback

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English
Edinburgh University Press
11 March 2025
ReFocus: The Films of Roberta Findlay covers a variety of angles, using queer, feminist, historical, and close textual reading methods to grapple with the complicated and contradictory politics and meanings of this pioneering culture-worker. Chapters examine Findlay's marketing strategies, the gender politics of her exploitation and hardcore films, 1980s horror productions, and several case studies of key individual films, in addition to a new interview with Findlay reflecting on her life and career.
Edited by:   ,
Imprint:   Edinburgh University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 156mm, 
ISBN:   9781474497473
ISBN 10:   1474497470
Pages:   240
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Peter Alilunas is an Associate Professor of Cinema Studies at the University of Oregon. He is the author of Smutty Little Movies: The Creation and Regulation of Adult Video (2016). Whitney Strub is an Associate Professor of History at Rutgers University-Newark. He is co-editor of Porno Chic and the Sex Wars: American Sexual Representation in the 1970s (2016) and author of Perversion for Profit: The Politics of Pornography and the Rise of the New Right (2011).

Reviews for ReFocus: The Films of Roberta Findlay

"A beautifully curated and engaging collection of some of the most important voices in porn studies and cult cinema. These essays reflect the continued evolution of the field and the important work of canonizing overlooked yet profoundly significant filmmakers such as Findlay. --Laura Helen Marks, Tulane University A pioneering, prolific filmmaker who disdains her historical contributions to several male-dominated industries. A self-proclaimed misogynist who has been reclaimed as an unlikely ""feminist"" auteur. This fascinating new collection shines a much-needed spotlight on the many contradictions of Roberta Findlay, and is sure to become essential reading for scholars of adult and exploitation cinema. --David Church, Indiana University"


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