Abraham Geil is Senior Lecturer in the Media Studies Department at the University of Amsterdam, where he directs the MA Program in Film Studies, and is a Senior Research Fellow at the Amsterdam School of Cultural Analysis (ASCA). His research and teaching lie at the intersection of critical theory, aesthetics, and film studies, with a focus on the history of film theory. He is the co-editor of Memory Bytes: History, Technology, and Digital Culture (Duke University Press, 2004). His recent articles can be found in journals such as Novel, Polygraph, World Picture, Paragraph, and Screen, as well as in edited collections on the work of Sergei Eisenstein and Jacques Ranciere.
Some studies of the portrait are portraits of their subject, describing a singular thing in detail. This is not such a book. Geil and Jirsa have instead built a kaleidoscope, encased the portrait in its reflecting surfaces, and allowed their contributors to rotate it into motion, yielding ever-changing views of the portrait as a generative operation--of form, thought, abstraction, time, and media itself.-- ""Eugenie Brinkema, Massachusetts Institute of Technology""