Katy Deepwell is an art critic based in London. She was a Global Dis: Connect Fellow, Kate Hamburger Kolleg, Munich (Oct 2025-March 2026) and Professor of Contemporary Art, Theory and Criticism at Middlesex University (2013-Feb 2025). She is the founder and editor of KT press (started 1998 - present) and 'n.paradoxa: international feminist art journal' (1998-2017). Recent books include: 'Conversations on Art, Artworks and Feminism' (KT press, 2025); (ed) 'De-/Anti-/Post-colonial Feminisms in Contemporary Art and Textile Craft' (KT press, 2023); (ed) '50 Feminist Art Manifestos' (KT press, 2022), (ed) 'Feminist Art Activisms and Artivisms' (Valiz, 2020) and with Agata Jakubowska (co-editor) 'All Women Spaces in Europe in the Long 1970s' (Liverpool University Press, 2018).
This collection reflects the pressing need to re-evaluate the ongoing developments of global feminism. The seventeen texts address a diversity of global histories and legacies, examining a range of approaches, from developing 'Anotherness' to challenge dominant limitations of representations, to intertwining feminist actions with visual activisms - from Europe, the United States, and Latin America to China, Thailand and Ukraine. This diverse re-evaluation provides new perspectives on the significance of feminist art during the ongoing turbulent times. Dr. Maria Photiou Identity, Culture and Representation Research Centre University of Derby Katy Deepwell has the rare ability to catalyse and connect a Global feminist art community. The many contributors to ""Re-Evaluations in Feminism and Contemporary Art"" evidence the scope, diversity and political attunement of this field: they show us what can be done and what more there is to do. Prof. Dr. Amy Tobin University of Cambridge Author of 'Women Artists Together, Art in the Age of Women's Liberation' The book is a wake-up call to stimulate feminist art history writing. It asserts that feminism must evolve in response to contemporary world transformations. It calls for a shift from identity-based concerns to issue-oriented approaches. Katy Deepwell, the editor and a renowned feminist art historian, has long supported women writers and artists from different parts of the world. This is what gives her credibility and validates her manifesto. All the conference lectures incorporated into the volume relate to the call and show how the principles are put into practice. This book is essential reading for anyone interested in 21st century feminist art history. Dr. Edit András Senior Research Member ELTE, RCH, Institute of Art History, Budapest. Winner of the Igor Zabel Prize for Culture and Theory 2024