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Ravel the Decadent: Memory, Sublimation, and Desire
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Michael J. Puri (Associate Professor, Associate Professor, University of Virginia)
Ravel the Decadent: Memory, Sublimation, and Desire by Michael J. Puri (Associate Professor, Associate Professor, University of Virginia) at Abbey's Bookshop,

Ravel the Decadent: Memory, Sublimation, and Desire

Michael J. Puri (Associate Professor, Associate Professor, University of Virginia)


9780199735372


Music;
Theory of music & musicology;
Romantic music (c 1830 to c 1900);
20th century & contemporary classical music;
Literary studies: general


Hardback

$48.95
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The music of Maurice Ravel (1875-1937), beloved by musicians and audiences since its debut, has been a difficult topic for scholars. The traditional stylistic categories of impressionism, symbolism, and neoclassicism, while relevant, have offered too little purchase on this fascinating but enigmatic work. In Ravel the Decadent, author Michael Puri provides an innovative and productive solution by locating the aesthetic origins of this music in the French Decadence and demonstrating the extension of this influence across the length of his oeuvre. From an array of Decadent topics Puri selects three--memory, sublimation, and desire--and uses them to delineate the content of this music, pinpoint its overlap with contemporary cultural discourse, and link it to its biographical context, as well as to create new methods altogether for the analysis and interpretation of music.

Ravel the Decadent opens by defining the main concepts, giving particular attention to memory and decadence. It then stakes out contrasting modes of memory in this music: a nostalgic mode that views the past as forever lost, and a more optimistic one that imagines its resurrection and reanimation. Acknowledging Ravel's lifelong identity as a dandy--a figure that embodies the Decadence and its aspiration toward the sublime--Puri identifies possible moments of musical self-portraiture before stepping back to theorize dandyism in European musical modernism at large. He then addresses the dialectic between desire and its sublimation in the pairing of two genres--the bacchanal and the idyl--and leverages the central trio of concepts to offer provocative readings of Ravel's two waltz sets, the Valses nobles et sentimentales and La valse. Puri concludes by invoking the same terms to identify a topic of faun music that promises to create new common ground between Ravel and Debussy. Rife with close readings that will satisfy the musicologist, Ravel the Decadent also suits a more general reader through its broadly humanistic key concepts, immersion in contemporary art and literature, and clarity of language.

By:   Michael J. Puri (Associate Professor Associate Professor University of Virginia)
Country of Publication:   United States
Dimensions:   Height: 240mm,  Width: 163mm,  Spine: 23mm
Weight:   500g
ISBN:   9780199735372
ISBN 10:   0199735379
Publication Date:   February 2012
Audience:   College/higher education ,  Further / Higher Education
Format:   Hardback
Publisher's Status:   Active

Table of Contents ; Introduction: Memory, Decadence, and Music ; Chapter 1: Thematic Cyclicism and the Ravelian Finale ; Chapter 2: Reanimation and the Primal Scene ; Chapter 3: Dandy, Interrupted ; Chapter 4: Idylls and Bacchanals ; Chapter 5: Epilogism in the Valses nobles et sentimentales ; Chapter 6: Dynamism in La valse ; Conclusion: In the Footsteps of the Faun ; Introduction Notes ; Chapter 1 Notes ; Chapter 2 Notes ; Chapter 3 Notes ; Chapter 4 Notes ; Chapter 5 Notes ; Chapter 6 Notes ; Conclusion Notes ; Bibliography


<br> Ravel the Decadent represents an enormous advance in our understanding of both the composer's music and French musical culture following the fin-de-si cle, then in the throes of one of music's many modernisms. In a series of elegant and urbane reflections, Michael J. Puri dissolves our vague notions of the music's impressionism and neoclassicism into a much more meaningful engagement with its abiding sense of historical memory, its inclination to 'dwell in the past.' He grounds this in-dwelling in its thematic procedures, which form an intricate, mnemotechnical apparatus that mediates but also destructures our experience of the music: in moments of calm reflection, these processes disrupt the seamless aesthetic surface of the music, rendering it momentarily formless. It is to these moments, in which memory becomes music, that Puri encourages us to listen. --Brian Hyer, Professor of Music Theory, University of Wisconsin - Madison<p><br> Puri's writing is elegant, clear, and engagi

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