Examining work by novelists, filmmakers, TV producers and songwriters, this book uncovers the manner in which the radio – and the act of listening – has been written about for the past 100 years.
Ever since the first public wireless broadcasts, people have been writing about the radio: often negatively, sometimes full of praise, but always with an eye and an ear to explain and offer an opinion about what they think they have heard. Novelists including Graham Greene, Agatha Christie, Evelyn Waugh, and James Joyce wrote about characters listening to this new medium with mixtures of delight, frustration, and despair. Clint Eastwood frightened moviegoers half to death in Play Misty for Me, but Lou Reed's ‘Rock & Roll’ said listening to a New York station had saved Jenny's life. Frasier showed the urbane side of broadcasting, whilst Good Morning, Vietnam exploded from the cinema screen with a raw energy all of its own. Queen thought that all the audience heard was ‘ga ga’, even as The Buggles said video had killed the radio star and Tom Petty and the Heartbreakers lamented ‘The Last DJ’.
This book explores the cultural fascination with radio; the act of listening as a cultural expression – focusing on fiction, films and songs about radio. Martin Cooper, a broadcaster and academic, uses these movies, TV shows, songs, novels and more to tell a story of listening to the radio – as created by these contemporary writers, filmmakers, and musicians.
By:
Dr. Martin Cooper (Assistant subject leader emeritus University of Huddersfield UK)
Imprint: Bloomsbury Academic USA
Country of Publication: United States
Edition: POD FIRST
Dimensions:
Height: 229mm,
Width: 152mm,
Weight: 517g
ISBN: 9781501360442
ISBN 10: 1501360442
Pages: 264
Publication Date: 27 January 2022
Audience:
College/higher education
,
Primary
Format: Hardback
Publisher's Status: Active
Preface 1. Introduction 2. Broadcasting on Air, 1922-1935 3. Developing Ways of Listening, 1935-1938 4. The Home Front, 1938-1949 5. New Elizabethans, and New Questions, 1950-1963 6. The Rise of Format Radio, 1964-1979 7. Video Killed the Radio Star, 1979-1983 8. The Radio DJ and the Cult of Personality, 1984-1993 9. Critique, Questions, and Satire, 1993-2004 10. Listening Back and Looking Forward, 2005-2022 11. Conclusion Sources Index
Martin Cooper is Assistant Subject Leader Emeritus in the Department of Journalism & Media at the University of Huddersfield, UK, teaching radio theory and practice. He has worked for BBC radio for 20 years, as a reporter, DJ/presenter and news editor. After PhD research into the cultural history of Brazil's railways, he became a freelance broadcaster, radio trainer and academic. He has worked as a freelance newsreader for BBC Radios Leeds and York, and has a weekly chat show on Branch FM, Dewsbury, UK.
Reviews for Radio's Legacy in Popular Culture: The Sounds of British Broadcasting over the Decades
A fascinating and highly readable account of the representation of radio in other media. Martin Cooper’s history of a hundred years of radio in song, films, novels and television programmes is both a highly entertaining and fascinating read and also an important new source for radio historians. The perfect book to celebrate the one hundred years of radio broadcasting in Britain. * Hugh Chignell, Emeritus Professor of Media History, Bournemouth University, UK * Radio’s Legacy in Popular Culture is a very readable, original, and well-researched book, which will be widely used by media studies students and hopefully appreciated by many outside of academia. -- David Harris * Pratical Wireless *
