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'Race Is Everything'

Art and Human Difference

David Bindman

$86.95

Hardback

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English
Reaktion Books
01 September 2023
'Race Is Everything' explores the spurious but influential ideas of so-called racial science in the nineteenth and the first half of the twentieth centuries, and how

art was affected by it. David Bindman looks at race in general, but with particular concentration on attitudes toward and representations of people of African and Jewish descent. He argues that behind all racial ideas is the belief that outward appearance — and especially skull shape, as studied in the pseudoscience of phrenology — can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races. The book considers many aspects of these beliefs, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race and aesthetics; the purported 'Mediterranean race'; the visual aspects of eugenics; and the racial politics of Emil Nolde.

By:  
Imprint:   Reaktion Books
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 156mm, 
ISBN:   9781789146967
ISBN 10:   1789146968
Pages:   320
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

David Bindman is Emeritus Durning-Lawrence Professor of the History of Art, University College London and Fellow of the Hutchins Center, Harvard University. He is author or editor of many books including Ape to Apollo: Aesthetics and the Idea of Race in the 18th Century (Reaktion, 2002).

Reviews for 'Race Is Everything': Art and Human Difference

In this wonderful book Bindman brilliantly explores the ways in which visual art has represented the very idea of racial hierarchy. Linking 'scientific' ideas with the works and lives of artists in the nineteenth and twentieth centuries, this lucid, lavishly illustrated text ranges from high art to popular racist imagery, and highlights resisters such as Frederick Douglass and W. E. B. Du Bois. --Steven Lukes, professor emeritus of sociology, New York University Bindman's 'Race Is Everything' more than fulfills the promise of its title. How we see race is determined by our ideologies of difference, which are often so habituated that we believe we see our world and its inhabitants in an unmitigated manner. By looking at the visual codes in modern Western art representing difference--from the African to the Jew and beyond--Bindman provides us with means of deciphering our visual codes while detailing how such codes evolved and persist. A brilliant (and beautiful) work of cultural criticism. --Sander Gilman, author of Stand Up Straight! A History of Posture


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