William Sauerland is assistant professor of music and director of choral studies at Purdue University – Fort Wayne, conducting the choral ensembles, teaching classes in music education, and supervising student teachers. Sauerland was previously a lecturer in voice at San Francisco State University, and the director of choral and vocal studies at Chabot College in Hayward, CA. He also has ten years of experience in directing community choruses, including the Oakland Gay Men’s Chorus and the Lesbian/Gay Chorus of San Francisco.
"Queering Vocal Pedagogy is as practical as it is compassionate, offering invaluable insights and descriptions of best practices designed to encourage teachers to see every student, as Sauerland states, ""as a whole, emotional, worthy human."" Voice teachers who approach the book with an open mind and an open heart are bound to find ways to make their studios more inclusive, their teaching more impactful, and their worldviews more accepting.-- ""Classical Singer Magazine"" This book contains crucial information for singing teachers who work with trans and genderqueer singers. William Sauerland strikes a dynamic balance of personal connection, literature review, case studies, and examples of practical application, and he invites personal reflection.--Sarah Maines, instructor of voice, University of Portland, Reed College; The Mainestudio This is an important book for those of us who have devoted ourselves to helping others find their voice. William Sauerland reminds us that the important word in that phrase is ""their"", encouraging us to examine our own implicit biases while working towards true collaboration with our students. It is both a practical and an inspiring reminder of what our relationship with students should be.--Nicole Hanig, director of vocal studies, University of Portland Queering Vocal Pedagogy is a powerful call to action for artists and teachers to create lasting change for gender-affirming vocal music education--an essential text. William Sauerland stirringly inquires gender issues inherent in vocal performance and the studio, inviting educators to re-conceive historical, generalizable music-making spaces in more inclusive ways.--Cara Bernard, assistant clinical professor, music education, University of Connecticut"