Printing Music in Renaissance Rome

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Jane A. Bernstein (Austin Fletcher Professor of Music Emerita, Austin Fletcher Professor of Music Emerita, Tufts University)

Printing Music in Renaissance Rome

Jane A. Bernstein (Austin Fletcher Professor of Music Emerita, Austin Fletcher Professor of Music Emerita, Tufts University)

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English

Oxford University Press Inc
18 October 2023

Western "classical" music; Medieval & Renaissance music (c 1000 to c 1600); Literary studies: general

"In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became ""boutique"" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce.

In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy."

By: Jane A. Bernstein (Austin Fletcher Professor of Music Emerita Austin Fletcher Professor of Music Emerita Tufts University)
Imprint: Oxford University Press Inc
Country of Publication: United States
Dimensions: Height: 163mm, Width: 237mm, Spine: 21mm
Weight: 1g
ISBN: 9780197669617
ISBN 10: 0197669611
Pages: 296
Publication Date: 18 October 2023
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Jane A. Bernstein is Austin Fletcher Professor of Music Emerita at Tufts University. Her books include Print Culture and Music in Sixteenth-Century Venice, Women's Voices across Musical Worlds, the 30-volume series The Sixteenth-Century Chanson, and Music Printing in Renaissance Venice: The Scotto Press (1539-1572), which won the 1999 Otto Kinkeldey Award from the American Musicological Society. Elected a Fellow of the American Academy of Arts and Sciences in 2005, Bernstein also served as President of the American Musicological Society from 2008 to 2010 and was elected an Honorary Member in 2014.

Reviews for Printing Music in Renaissance Rome

In her landmark book on Print Culture and Music in Sixteenth-Century Venice (Oxford, 2001), Bernstein tackled the large-scale commercial production of Venetian music printers. Here, she explores the irregular and niche output of Roman presses, which ranged from super-sized choirbooks printed on 'carta papale' to charming canzonette engraved with visual flair. Printing Music in Renaissance Rome is a must-have: richly documented, lavishly illustrated, and written with Bernstein's inimitable style and authority. * Kate van Orden, author of Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe * Printers and publishers provided the interface between composers, performers, and their publics in the complex musical marketplaces of sixteenth-century Italy. While Venice is well known in this regard, Rome is not, yet the Eternal City served not just its own communities but the broader Catholic world. Bernstein's remarkable study takes us deep into its printing houses to reveal how they came to influence musical production and consumption far and wide. * Tim Carter, Distinguished Professor Emeritus of Music, University of North Carolina at Chapel Hill *