Print and Performance in the 1820s

Improvisation, Speculation, Identity

Angela Esterhammer (University of Toronto)

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English

Cambridge University Press
20 January 2022

Literary studies: c 1800 to c 1900 ; Social & cultural history; Publishing industry

Series: Cambridge Studies in Romanticism

During the 1820s, British society saw transformations in technology, mobility, and consumerism that accelerated the spread of information. This timely study reveals how bestselling literature, popular theatre, and periodical journalism self-consciously experimented with new media. It presents an age preoccupied with improvisation and speculation - a mode of behaviour that dominated financial and literary markets, generating reflections on risk, agency, and the importance of public opinion. Print and Performance in the 1820s interprets a rich constellation of fictional texts and theatrical productions that gained popularity among middle-class metropolitan audiences through experiments with intersecting fantasy worlds and acutely described real worlds. Providing new contexts for figures such as Byron and Scott, and recovering the work of lesser-known contemporaries including Charles Mathews' character impersonations and the performances of celebrity improvvisatore Tommaso Sgricci, Angela Esterhammer explores the era's influential representations of the way identity is constructed, performed, and perceived.

By: Angela Esterhammer (University of Toronto)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Edition: New edition
Dimensions: Height: 229mm, Width: 152mm, Spine: 16mm
Weight: 418g
ISBN: 9781108713733
ISBN 10: 1108713734
Series: Cambridge Studies in Romanticism
Pages: 281
Publication Date: 20 January 2022
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

List of illustrations; 1. Introduction: being there, circa 1824; 2. Periodical performances: Blackwood's, Knight's, and The Bachelor's Wife; 3. Mediating improvisation and improvising mediation: Tommaso Sgricci and periodical culture; 4. Personal identity, impersonation, and Charles Mathews: who is he when he's at home?; 5. Theodore Hook's Sayings and Doings on the page and the stage: 'a curious matter of speculation'; 6. Speculating on property: to and from the village with Galt, Mitford, and Scott; 7. Scottish fictions of 1824: permutations of identity; Bibliography; Index.

Angela Esterhammer, FRSC, is Professor of English and Comparative Literature at the University of Toronto, and General Editor of the Edinburgh Edition of the Works of John Galt. Her previous books include The Romantic Performative: Language and Action in British and German Romanticism (2001), Romanticism and Improvisation, 1750-1850 (2008), and the edited volume Romantic Poetry: Comparative History of Literatures in European Languages (2002).

Reviews for Print and Performance in the 1820s: Improvisation, Speculation, Identity

'In pondering the performativity of language and literature, no surer and more capable guide can be found than Angela Esterhammer.' Frederick Burwick, The BARS Review 'Esterhammer's ability to make the history feel modern throughout will appeal to scholars of theater, literature, and history.' J. Rodzvilla, Choice 'The richness of ... [this book's] collection-point to the exciting possibilities materialist reading continues to offer scholars of British Romanticism.' Kristin Flieger Samuelian, European Romantic Review 'Angela Esterhammer's latest monograph presents a vividly detailed, panoramic view of a decade that was long disregarded as a disappointing lull between the heights of Romanticism and Victoria's ascension ... The study's greatest contribution to literary studies may be to foster many such additional readings with its fresh understanding of the 1820s as an exuberant era of risk-taking experimentation in performance and print. Reading it is an immersive experience that provides a clear and convincing take on a fascinating decade.' Sarah Zimmerman, The Wordsworth Circle