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Possible Worlds Theory and Readers' Emotional Responses to Literature

Megan Mansworth (Aston University, UK)

$190

Hardback

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English
Bloomsbury Academic
18 September 2025
This book develops a cognitive stylistic exploration of readers’ emotional experiences of literature.

Adopting Possible Worlds Theory as a framework, the volume constructs a stylistic analysis of some of the ways in which novels elicit readers’ emotions. A typology of past, present, and future textual actual and possible worlds is formulated to frame analysis of three novels: A Fine Balance by Rohinton Mistry, Revolutionary Road by Richard Yates, and The Trick Is to Keep Breathing by Janice Galloway. The author integrates close stylistic analysis with the use of empirical data drawn from reader interviews and online reader reviews. The analysis of these diverse 20th-century novels works to show the utility of the typology for analysis formulated for this book, as well as to demonstrate the value of incorporating empirical reader data in analysis of the ways in which novels may affect readers’ emotions.
By:  
Imprint:   Bloomsbury Academic
Country of Publication:   United Kingdom
Dimensions:   Height: 238mm,  Width: 156mm,  Spine: 20mm
Weight:   1.020kg
ISBN:   9781350428935
ISBN 10:   1350428930
Pages:   240
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active

Megan Mansworth is a Lecturer in English Language and Literature at Aston University, UK.

Reviews for Possible Worlds Theory and Readers' Emotional Responses to Literature

Advancing and bringing cognitive stylistics, possible worlds theory, and empirical literary studies into dialogue, Possible Worlds Theory and Readers’ Emotional Responses to Literature offers innovative, compelling, and important contributions to our understanding of how fictional worlds are constructed as well as how readers cognitively process them. * Alice Bell, Professor of English Language and Literature, Sheffield Hallam University, UK * Mansworth richly and convincingly extends possible worlds theories into the exploration of emotion in literary reading. This book stands as compelling account of the emotional impact and long-lasting power of literary reading, and offers the crucial link that binds together the levels of world and style. * Peter Stockwell, Professor of Literary Linguistics, University of Nottingham, UK * Megan Mansworth provides a compelling exploration of how the emotions expressed by readers in response to novels may be partly explained by an application of Possible Worlds Theory that builds on earlier scholarly research. The book discusses a range of emotions elicited in three novels: A Fine Balance; Revolutionary Road; and The Trick is to Keep Breathing, and through a stylistic analysis, suggests that readers’ emotional responses to narratives may be partly understood through the application of a framework of textual actual and possible worlds. * Marina Lambrou, Associate Professor in English Language and Linguistics, Kingston University, UK *


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