Portraits are everywhere. One finds them not only in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn’t received much philosophical attention. While there are countless art historical studies of portraiture, contemporary philosophy has largely remained silent on the subject. This book aims to address that lacuna. It brings together philosophers (and philosophically minded historians) with different areas of expertise to discuss this enduring and continuously fascinating genre.
The chapters in this collection are ranged under five broad themes. Part I examines the general nature of portraiture and what makes it distinctive as a genre. Part II looks at some of the subgenres of portraiture, such as double portraiture, and at some special cases, such as sport card portraits and portraits of people not present. How emotions are expressed and evoked by portraits is the central focus of Part III, while Part IV explores the relation between portraiture, fiction, and depiction more generally. Finally, in Part V, some of the ethical issues surrounding portraiture are addressed. The book closes with an epilogue about portraits of philosophers.
Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts.
Edited by:
Hans Maes
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions:
Height: 229mm,
Width: 152mm,
Weight: 485g
ISBN: 9781032337678
ISBN 10: 1032337672
Series: Routledge Research in Aesthetics
Pages: 344
Publication Date: 14 June 2022
Audience:
College/higher education
,
Primary
Format: Paperback
Publisher's Status: Active
Introduction: Portraits and Philosophy Hans Maes Part I. The Nature of Portraiture 1. Portraiture Portrayed Ivan Gaskell 2. Portraiture and Portrait-Seeing: From Caravaggio to Digital Selfies Alessandro Giovannelli 3. Portraits, Persons, and Poses Paul Guyer 4. Philosophy of Portraiture: A Programmatic Overview Matteo Ravasio Part II. Subgenres and Special Cases 5. Double Portraiture Eleen M. Deprez and Michael Newall 6. Moving Picture Portraits Cynthia Freeland 7. Portraits of People Not Present Bence Nanay 8. Portraits of the Landscape Erich Hatala Matthes 9. Sport Card Portraiture Jason Holt Part III. Portraiture, Empathy, and Emotion 10. Truth and Empathy in the Portraits of Kokoschka Jenefer Robinson 11. Without Shame? Lee Friedlander’s Late Self-Portraits Diarmuid Costello 12. ‘And Time Will Have His Fancy…’: On Being Moved by Portraits of Unknown People Hans Maes Part IV. Portraiture, Fiction, and Depiction 13. Real Portraits in Literature Stacie Friend 14. The Power of Picasso: Reconciling Realism and Anti-Realism in the Portrait of Gertrude Stein Ira Newman 15. Portraiture: Seeing As and Seeing In Martin Hammer Part V. The Ethics of Portraiture 16. The Ethics of Portraiture A.W. Eaton 17. The Sublime Clara Mather Kenneth Walden 18. Respecting Photographic Subjects Macalester Bell Epilogue: Portraits of Philosophers Hans Maes
Hans Maes is Senior Lecturer in History and Philosophy of Art at the University of Kent. He is the author of Conversations on Art and Aesthetics (2017) and editor of the essay collections Art and Pornography (2012) and Pornographic Art and the Aesthetics of Pornography (2013).
Reviews for Portraits and Philosophy
Portraits and Philosophy is a philosophical invitation to reconsider portraits as an artistic genre as well as an object of philosophical investigation. Moreover, chapter after chapter, this book debunks all the underlying skepticism and prejudices against the possibility of substantial reflection on this topic. The book is philosophical aesthetics done at its best: this collection of eighteen original articles written by philosophers and art historians- plus an introduction and an epilogue by the editor-not only shows philosophical insight, but establishes a substantial and robust dialogue between philosophy, art history and art practice that one frequently expects, but rarely finds, in the aesthetics literature. - MIND This book seems certain to establish the philosophy of portraiture as a new and important topic of debate within philosophy and to demonstrate the centrality of philosophical aesthetics to the issues of self, identity and our understanding of each other, that concern us all. - Ian Ground, University of Hertfordshire, UK This is an excellent book on the elusive but pervasive genre of portraiture. It provides the reader with conceptual tools to understand the boundaries of the genre, the value of portraits and some ethical issues they give rise to. Also, it invites the reader to consider interesting questions such as whether there can be portraits of absent sitters, how to understand sport cards portraits or fictional portraits appearing in literary works. - Paloma Atencia-Linares, National Autonomous University of Mexico
