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Popular Film and Television Comedy

Frank Krutnik Steve Neale

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Paperback

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English
Routledge
31 May 1990
Steve Neale and Frank Krutnik take as their starting point the remarkable diversity of comedy's forms and modes - feature-length narratives, sketches and shorts, sit-com and variety, slapstick and romance. Relating this diversity to the variety of comedy's basic conventions - from happy

endings to the presence of gags and the involvement of humour and laughter - they seek both to explain the nature of these forms and conventions and to relate them to their institutional contexts. They propose that all forms and modes of the comic involve deviations from aesthetic and cultural conventions and norms, and, to demonstrate this, they discuss a wide range of programmes and films, from Blackadder to Bringing up Baby , from City Limits to Blind Date , from the Roadrunner cartoons to Bless this House and The Two Ronnies . Comedies looked at in particular detail include: the classic slapstick films of Keaton, Lloyd, and Chaplin; Hollywood's 'screwball' comedies of the 1930s and 1940s; Monty Python , Hancock , and Steptoe and Son . The authors also relate their discussion to radio comedy.

By:   ,
Imprint:   Routledge
Country of Publication:   United Kingdom
Dimensions:   Height: 216mm,  Width: 138mm,  Spine: 17mm
Weight:   408g
ISBN:   9780415046923
ISBN 10:   0415046920
Series:   Popular Fictions Series
Pages:   304
Publication Date:  
Audience:   College/higher education ,  General/trade ,  Primary ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active
Introduction 1 Section 1 1 Definitions, genres, and forms 2 Comedy and narrative 3 Gags, jokes, wisecracks, and comic events 4 Laughter, humour, and the comic 5 Verisimilitude Section 2 6 Hollywood, comedy, and The Case of Silent Slapstick 7 The comedy of the sexes Section 3 8 Comedy, television, and variety 9 Broadcast comedy and sit-com

Reviews for Popular Film and Television Comedy

`Few books have been written about comedy, and this one sets out to redress the balance, defining comedy and trying to understand what makes a particular comedy popular. From sitcoms to stand-up, all types of comedy come under scrutiny by Neale and Krutnik.' - Press and Journal


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