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Picturing the Workers' Olympics and the Spartakiads

Modernist and Avant-Garde Engagement with Sport in Central Europe and the USSR, 1920-1932

Przemysław Strożek (Polish Academy of Sciences)

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English
Routledge
27 May 2024
This volume focuses on the modernist and avant-garde engagement with workers’ sport events that were organised or were planned to be organised in the cities of Central Europe and the USSR in the period of 1920–1932: Frankfurt am Main – Vienna – Moscow – Prague – Budapest – Berlin.

During the 1920s and 1930s, two organisations of workers’ sport operated: the Lucerne Sport International/Socialist Workers’ Sport International and the Red Sport International, which held the socialist Workers’ Olympics and the communist Spartakiads, respectively. These events were not aimed at cultivating national victories and individual athletic records, but at mobilising workers for the class struggle and at creating new culture for the working class. This book examines the visual propaganda of the Workers’ Olympics and the Spartakiads expressed through paintings, sculptures, prints, illustrations, posters, postcards, photomontages, photographs, films, theatre and architectural projects. It emphasises the significance of workers’ sport for the artistic and social changes within a utopian project of a new culture, as visualised by the modernist and avant-garde artists, including Varvara Stepanova, Gustav Klucis, and Otto Nagel.

This volume is of great use to students and scholars of the history of sport, art history and cultural history in interwar Europe and the Soviet Union.

By:  
Imprint:   Routledge
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 156mm, 
Weight:   430g
ISBN:   9781032017594
ISBN 10:   1032017597
Series:   Routledge Histories of Central and Eastern Europe
Pages:   216
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Paperback
Publisher's Status:   Active

Przemysław Strożek is an Assistant Professor at the Institute of Art of the Polish Academy of Sciences and an Associate Researcher and curator at the Archiv der Avantgarden, Dresden. He was a Fulbright fellow at the University of Georgia, a fellow at the Accademia dei Lincei and recipient of a Korea Foundation fellowship. He is the author of several dozen academic articles, and published extensively his research on sport and the avant-garde, as well as on sport and contemporary art. Together with Andreas Kramer he has co-edited Sport and the European Avant-Garde (1900–1945). He has curated numerous exhibitions, including an exhibition on Polish-Moroccan artistic relations at the Zachęta – National Gallery of Art in Warsaw.

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