Picture Cycle

Picture Cycle is a brilliant work of cultural criticism. At once lyrical and incisively analytical, it investigates, with great acuity, intellectual range, and undercurrent of mourning, the new emotional schematic, where lives and screens become hauntingly inseparable. In essays that reach back into pre-digital childhood and fast forward into an ever-spreading simulacrum, Masha Tupitsyn's gaze is always vibrant, curious, and compellingly alert to the telling detail and revealing contradiction. These formally inventive essays bring to mind both Gertrude Stein and John Berger, as they illuminate with beauty and tenderness a world that stopped being The World and became something else. -Laurie Sheck, author of A Monster's Notes Masha Tupitsyn's Picture Cycle is not just a socio-political argument for formal complexity, it is also an artwork that pushes criticism, art, and philosophy towards the immaterial, spectral, and sublime while maintaining exemplary attention to formal detail. Pressing against our lossless digital surfaces, Tupitsyn uncovers cuts, dissolves, frames, gaps, and junctures that revive our capacity for making sense. -Felix Bernstein, author of Burn Book, Notes on Post-Conceptual Poetry Masha Tupitsyn's Picture Cycle rescues films of our generation from the memory hole to which everything but box office is now consigned. Her writing is intimate and analytical, laced with radiant perceptions about movie stars, memory, and lost time. -A. S. Hamrah, author of The Earth Dies Streaming