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Photography Reframed: New Visions in Contemporary Photographic Culture
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Ben Burbridge Annebella Pollen
Photography Reframed: New Visions in Contemporary Photographic Culture by Ben Burbridge at Abbey's Bookshop,

Photography Reframed: New Visions in Contemporary Photographic Culture

Ben Burbridge Annebella Pollen


9781784538835

I.B. Tauris


Theory of art;
Photography & photographs;
Cultural studies


Paperback

288 pages

$34.99
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At a critical point in the development of photography, this book offers an engaging, detailed and far-reaching examination of the key issues that are defining contemporary photographic culture. Photography Reframed addresses the impact of radical technological, social and political change across a diverse set of photographic territories: the ontology of photography; the impact of mass photographic practice; the public display of intimate life; the current state of documentary, and the political possibilities of photographic culture. These lively, accessible essays by some of the best writers in photography together go deep into the most up-to-date frameworks for analysing and understanding photographic culture and shedding light on its histories. Photography Reframed is a vital road map for anyone interested in what photography has been, what it has become, and where it is going.

Edited by:   Ben Burbridge, Annebella Pollen
Imprint:   I.B. Tauris
Country of Publication:   United Kingdom
Dimensions:   Height: 216mm,  Width: 138mm, 
ISBN:   9781784538835
ISBN 10:   1784538833
Pages:   288
Publication Date:   August 2018
Audience:   College/higher education ,  Further / Higher Education
Format:   Paperback
Publisher's Status:   Active

IntroductionBen Burbridge & Annebella Pollen Section 1: New Ontologies: Photography between the Archive and the Network Technology and Interaction: Penelope Umbrico's TVs from Craigslist Duncan WooldridgePost-representational photography, or the grin of Schrodinger's catDaniel RubinsteinArchival Measures: Photography Collections in a New Media Age Tina di Carlo The Grain of Ephemera/Event: Thinking Digital Archive through Photography Tomorrow's Headlines Are Today's Fish and Chip Papers: Some thoughts on 'Response-ability'David Campany & Duncan WooldridgeSection 2: Mass Culture and the Politics of DistinctionPopular Photographic Cultures in Photography StudiesGil PasternakWhen is a Cliche not a Cliche: Reconsidering Mass-Produced Sunsets Annebella Pollen Mrs. Wagner's Aspirations: The Album as MonumentMartha Langford The Photographer as Reader: The Aspirational Amateur in the Photo Magazines Peter BuseSection 3: (Networked) Society and the Spectacle: Photography and ExhibitionismThe Shirt Off His BackMarvin HeifermanThe Politics of Amateur Pornography Feona AttwoodWhat a Body Can Do: From the Frenzy of the Communicative to the Visual BondFrancis Summers Hating Habermas: On Exhibitionism, Shame and Life on the Actually Existing Internet Terri SenftParadise Lost: Exhibitionism and the Work of Nan Goldin Section 4: Documentary Photography and Global CrisisThe Deja Vu of September 11th: An Essay on Intericonicity Clement Cheroux Facing War: Photography and HumanismIan Boal & Julian Stallabrass War Primers David Evans Landscape Photography's 'New Humanism' Chad Elias Immigration Photography in Italy Andrea PoglianoSection 5: Citizens? Photography, Resistance and ControlDead End Streets: Photography, Protest and Social ControlDavid HoffmanEscaping the Panopticon Pauline HadawayYou Don't Even Represent Us: Picturing the Moscow ProtestsAglaya GlebovaOccupy the Image Liam Devlin The Becoming Photographer in Technoculture Sarah KemberConcluding ReflectionsRonnie Close, Catherine Grant, Sarah James AfterwordCharlotte Cotton

Ben Burbridge is Senior Lecturer in Art History and Co-Director of the Centre for Photography and Visual Culture at the University of Sussex. He is widely published in the field of photography, art and politics. Curatorial projects include the 2012 Brighton Photo Biennial, Agents of Change: Photography and the Politics of Space and Revelations: Experiments in Photography.Annebella Pollen is Principal Lecturer in the History of Art and Design at the University of Brighton. She is widely published in the field of visual and material culture. She is the author of The Kindred of the Kibbo Kift: Intellectual Barbarians (2015), Mass Photography: Collective Histories of Everyday Life (I.B.Tauris, 2016) and co-editor of Dress History: New Directions in Theory and Practice (2015).


'Featuring some of the world's most interesting writers on photography, this anthology provides a series of thematic glimpses into the now-infinite depths of our contemporary photographic world. Short and pithy, these essays remind us that a grasp of that world is vital to our present and future literacy. Recommended for all who have an interest in photography and its potentials.' - Geoffrey Batchen, Professor of the History of Photography & Contemporary Art, University of New York Graduate Center, author, Burning with Desire: The Conception of Photography, `Photography as we understood it only a decade ago has changed beyond all recognition. Photography Reframed draws on the expertise of a new generation of theorists and artists to explore photography at the interesting juncture at which we find ourselves. It will prove invaluable for all those interested in how the medium's role and uses are being reimagined in the twenty-first century. - Brett Rodgers, Director, The Photographers' Gallery, London, `Photography Reframed is at its best a quantum-like unmasking of certitudes from the last century as well as from our own precarious moment. Its diverse reflections, from the Grin of Schroedinger's Cat to Escaping the Panopticon and Hating Habermas , coalesce into a timely primer for an old/new form of delinquency: the thoughtful conversation.' - Fred Ritchin, Dean Emeritus, International Centre for Photography, New York. Author of Bending the Frame: Photojournalism, Documentary, and the Citizen

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