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Photographic Subjects

Monarchy and Visual Culture in Colonial Indonesia

Susie Protschky

$183.99

Hardback

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English
Manchester University Press
04 June 2019
Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898-1948) and Juliana (1948-80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands' modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history, reveals the entanglement of Dutch and Indonesian histories in the twentieth century, and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs. -- .

By:  
Imprint:   Manchester University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 156mm,  Spine: 19mm
ISBN:   9781526124371
ISBN 10:   1526124378
Series:   Studies in Imperialism
Pages:   264
Publication Date:  
Audience:   College/higher education ,  Professional and scholarly ,  Primary ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active

Susie Protschky is Senior Lecturer in Modern History at Monash University, Melbourne, Australia -- .

Reviews for Photographic Subjects: Monarchy and Visual Culture in Colonial Indonesia

'It has taken historians a generation or two to come to terms with empire. Historians who lived during the age of empires tended to put the term imperialism in the too-hard basket. Those who lived through the end of empire appropriately, for the main, took the side of anti-imperialist nationalists. Susie Protschky's Photographic subjects is at the forefront of new studies of imperialism. While not doubting its moral illegitimacy, she explains how the Netherlands' colony of the East Indies imagined itself in relation to the Dutch monarchy. This is a subtle and far-sighted book, analysing photography in relation to royalty in order to show how empire worked. The visual binding of the colony to the 'mother' country was, as she shows, carried out through an array of imagery that celebrated devotion to the absent ruler. Peace and war, tradition and modernity provided a range of sights revealing the nature of colonial subjecthood. This is an essential book for understanding modern Indonesian history.' Adrian Vickers, Professor of Southeast Asian Studies, University of Sydney -- .


  • Joint winner of joint winner of the 2020 Royal Studies Journal Book Prize 2020 (UK)
  • Winner of Winner of the inaugural Asian Studies Association of Australia Mid-Career Book Prize 2020 (UK)

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