Philosophical Skepticism as the Subject of Art: Maria Bussmann’s Drawings

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David Carrier (University of Pittsburgh, USA) David Carrier (University of Pittsburgh USA)

Philosophical Skepticism as the Subject of Art

Maria Bussmann’s Drawings

David Carrier (University of Pittsburgh, USA), David Carrier (University of Pittsburgh USA), Tiziana Andina (University of Turin Italy)

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English

Bloomsbury Academic
29 December 2022

Theory of art; Philosophy: aesthetics

Series: Aesthetics and Contemporary Art

The artwork of Maria Bussmann, a trained academic German philosopher and a significant visual artist, provides an ideal test case for a philosophical study of visual art. Bussmann has internalized the relationship between art and philosophy. In this exploration of the history of German aesthetics through Bussmann's work, David Carrier places the philosophical tradition in the context of contemporary visual culture.

Each chapter focuses on the arguments of a major philosopher whose concerns Bussmann has dealt with as an artist: Kant, Hegel, Merleau-Ponty, Wittgenstein and Arendt. Offering comparative accounts of artists and philosophers whose work is of especial relevance, Carrier shows how Bussmann responds visually to writings of philosophers in art that has an elusive but essential relationship to theorizing. Tackling the question of whether philosophical subjects can be presented visually, Carrier offers a fresh perspective on the German idealist position through the visual art of 21st-century artist steeped in the tradition and continually challenging it through her work.

By: David Carrier (University of Pittsburgh USA)
Edited by: David Carrier (University of Pittsburgh USA), Tiziana Andina (University of Turin Italy)
Imprint: Bloomsbury Academic
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm, Spine: 25mm
Weight: 454g
ISBN: 9781350245136
ISBN 10: 1350245135
Series: Aesthetics and Contemporary Art
Pages: 208
Publication Date: 29 December 2022
Audience: College/higher education , Primary
Format: Hardback
Publisher's Status: Active

Personal Preface Introduction: Philosophy as a Subject for Visual Art 1. Identity/Metamorphosis/Translation 2. An Introduction to Maria Bussmann’s Translations 3. Are Translations of Philosophy into Visual Art Possible? 4. Ludwig Wittgenstein, Tractatus Logico-Philosophicus 5. Maurice Merleau-Ponty, The Visible and the Invisible 6. Hannah Arendt 7. Lawrence Carroll and Maria Bussmann 8. Illustrations, Graphic Novels, Diagrams 9. An Art History Made by Bussmann 10. the Composition and Interpretation of Bussmann’s Art Conclusion: The Contribution of Bussmann’s Art to Philosophical Aesthetics Maria Bussmann: Selected Solo and Group Exhibitions Maria Bussmann: Selected Public and Private Collections Bibliography Index

David Carrier has taught philosophy in Pittsburgh, Pennsylvania and art history in Cleveland, Ohio. A former Getty Scholar and a Clark Fellow, he has been Lecturer in the Council of the Humanities and Class of 1932 Fellow in Philosophy, Princeton University, USA.

Reviews for Philosophical Skepticism as the Subject of Art: Maria Bussmann’s Drawings

Few contemporary artists have opened up the dialogue between the conceptual and the visual more insistently than Maria Bussmann. Carrier takes the reader boldly into the challenging world of her philosophically-inspired, genre-defying drawings as he probes her engagement with philosophers from Spinoza, Kant and Hegel to Wittgenstein, Merleau-Ponty and Arendt. * Allen Speight, Professor of Philosophy, Boston University, USA *