Perspective as Logic

Positioning Film in Architecture

Stefanos Roimpas

$263

Hardback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Routledge
28 April 2023

Theory of architecture; History of architecture

Series: Routledge Research in Architecture

Perspective as Logic offers an architectural examination of the filmic screen as an ontologically unique element in the discipline’s repertoire. The book determines the screen’s conditions of possibility by critically asking not what a screen means, but how it can mean anything of architectural significance. Based on this shift of enquiry towards the question of meaning, it introduces Jacques Lacan and Alain Badiou in an unprecedented way to architecture—since they exemplify an analogous shift of perspective towards the question of the subject and the question of being accordingly.

The book begins by positing perspective projection as being a logical mapping of space instead of a matter of sight (Alberti & Lacan). Secondly, it discusses the very nature of architecture’s view and relation to the topological notion of outside between immediacy and mediation (Diller and Scofidio, The Slow House). It examines the limitation of pictorial illusion and the productive negativity in the suspension of architecture’s signified equivalent to language’s production of undecidable propositions (Eisenman & Badiou). In addition, the book outlines the difference between the point of view and the vanishing point by introducing two different conceptions of infinity (Michael Webb, Temple Island). Finally, a series of design experiments playfully shows how the screen exemplifies architecture’s self-reflexive capacity where material and immaterial components are part of the spatial conception to which they refer and produce.

This book will be particularly appealing to scholars of architectural theory, especially those interested in the domains of philosophy, psychoanalysis and the linguistic turn of architecture.

By: Stefanos Roimpas
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 548g
ISBN: 9781032381893
ISBN 10: 1032381892
Series: Routledge Research in Architecture
Pages: 200
Publication Date: 28 April 2023
Audience: College/higher education , Primary
Format: Hardback
Publisher's Status: Active

Stefanos Roimpas (Athens, 1989) is an architect who recently completed his PhD thesis entitled Screen: The Intersectional Element of Architecture (2022) at the University of Cambridge with the supervision of Prof François Penz. His diploma project at École Spéciale d’Architecture-Paris (ESA) entitled The Lens City with the supervision of Sir Peter Cook was shortlisted for the RIBA Silver Medal (2013). He has previously worked for Office for Metropolitan Architecture (OMA) in Rotterdam and co-curated the Cyprus Pavilion, Anatomy of the Wallpaper, at the 14th Venice Biennale (2014).

Reviews for Perspective as Logic: Positioning Film in Architecture

'It took not a third party but a second party, Stefanos that is, to reveal to the first party, me, what this somewhat ridiculous project concerning the temple on the island is all about. Through his ability to explain, a rare skill and one to be awarded the highest respect, he has brought forth a literary tour de force.' -Michael Webb, Architect, founding member of Archigram 'This highly original book provides a deep perspective into seeing the screen as an ontologically unique element for the field of architecture. It provides a historically grounded, thought-provoking architectural logic of perspective that produces for the reader an intersectional (image) space unlike anything we have seen before.' -Richard Koeck, Professor and Chair in Architecture and the Visual Arts at the University of Liverpool, UK. 'In this book of rare originality Roimpas develops a rich interpretation of how the screen has become a constitutive element of architecture. At home in the Renaissance as much as in contemporary art and philosophy, the author offers a captivating account of the screen’s architectural potential.' -Maximilian Sternberg, Associate Professor, Department of Architecture, University of Cambridge, UK.