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Personal Viewpoints – Thoughts About Painting Conservation

. Leonard

$53.95

Paperback

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English
Getty Publications
14 August 2003
Bringing innovative scientific techniques to an aesthetic endeavour, paintings conservators face countless decisions as they implement a course of treatment for each picture in their care. The papers in this book, originally presented at a recent seminar organized by the Getty Museum, explore the values, assumptions and goals that shape the work of paintings conservators. Six conservators, three curators, and a conservation scientist candidly reflect on the challenges in approaching specific works of art. Each conservator describes a successful conservation effort, as well as a project that, in hindsight, might have been approached differently. Their insights, the responses of the curators and conservation scientist, and the panel discussions contribute to a thoughtful analysis of the ever-evolving art and science of paintings conservation.

By:  
Imprint:   Getty Publications
Country of Publication:   United States
Dimensions:   Height: 253mm,  Width: 194mm,  Spine: 11mm
Weight:   470g
ISBN:   9780892366989
ISBN 10:   0892366982
Pages:   136
Publication Date:  
Audience:   College/higher education ,  Professional and scholarly ,  Professional & Vocational ,  A / AS level ,  Further / Higher Education
Format:   Paperback
Publisher's Status:   Active

Mark Leonard is conservator of paintings at the Getty Museum. Contributors include David Bomford, senior restorer of paintings at the National Gallery, London; Philip Conisbee, senior curator of European paintings at the National Gallery of Art, Washington, D.C.; Carol Mancusi-Ungaro, director of conservation at the Whitney Museum of American Art; Andrea Rothe, senior conservator for special projects at the Getty Museum; Ashok Roy, head of the scientific department of the National Gallery, London; Scott Schaefer, curator of paintings at the Getty Museum; Zahira Veliz, freelance conservator and independent art historian; Joorgen Wadum, chief conservator at the Royal Cabinet of Paintings, Mauritshuis, The Hague; and John Walsh, Director Emeritus of the Getty Museum.

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