Focusing on political trials in Zimbabwe's Magistrates' Courts between 2000 and 2012, Susanne Verheul explores why the judiciary have remained a central site of contestation in post-independence Zimbabwe. Drawing on rich court observations and in-depth interviews, this book foregrounds law's potential to reproduce or transform social and political power through the narrative, material, and sensory dimensions of courtroom performances. Instead of viewing appeals to law as acts of resistance by marginalised orders for inclusion in dominant modes of rule, Susanne Verheul argues that it was not recognition by but of this formal, rule-bound ordering, and the form of citizenship it stood for, that was at stake in performative legal engagements. In this manner, law was much more than a mere instrument. Law was a site in which competing conceptions of political authority were given expression, and in which people's understandings of themselves as citizens were formed and performed.
By:
Susanne Verheul (University of Oxford)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions:
Height: 229mm,
Width: 152mm,
Spine: 15mm
Weight: 420g
ISBN: 9781009011792
ISBN 10: 1009011790
Series: African Studies
Pages: 286
Publication Date: 23 March 2023
Audience:
Professional and scholarly
,
Undergraduate
Format: Paperback
Publisher's Status: Active
Introduction: Law, state authority and the courts, 1. History, authority and the law in Zimbabwe, 1950–2002; 2. 'Rebels' and 'good boys': examining the working conditions in Zimbabwe's attorney general's office after 2000; 3. 'Zimbabweans are foolishly litigious': debating citizenship when engaging with a politicised legal system; 4. 'What is abnormal is normal': performative politics on the stages of arrest and detention; 5. Material and sensory courtrooms: observing the 'decline of professionalism' in Harare's magistrates'' courts; 6. The trials of the 'traitor in Harare's magistrates' courts under the unity government; 7. History, consciousness and citizenship in Matabeleland: the impact of the MLF case; 8. Historical narrative and political strategy in Bulawayo's magistrates' courts: the case of Owen Maseko; Conclusion: 'Government is a legal fiction' – performing law, the state, citizenship and politics.
Susanne Verheul is a Research Fellow in International Development at the University of Oxford where her research focuses on questions of law and politics in Southern Africa. She previously taught at University College Roosevelt, Utrecht University and holds a DPhil from the University of Oxford.
Reviews for Performing Power in Zimbabwe: Politics, Law, and the Courts since 2000
'In Verheul's masterful account, law shapes (and is shaped by) political subjectivities and norms in crisis-ridden post-colonial Zimbabwe. We see how law works within the state and how meaningful legal practices, claims and institutions can be, for both those in authority and those who resist.' Sara Rich Dorman, University of Edinburgh 'Through a finely crafted interweaving of detailed courtroom ethnography, revealing interviews and carefully read legal documents, Susanne Verheul eloquently unfolds the complex relationships between history, law, politics, state authority and citizenship. While contextualised within Zimbabwe, this rich account and its analytical insights has great significance for a wide range of scholarly fields.' Amanda Hammar, University of Copenhagen 'A fascinating and vividly painted picture of the way in which power gets enacted in Zimbabwe's courtrooms and a must-read for socio-legal scholars and Africanists alike. Verheul manages to combine disciplinary perspectives and rich case material to dig deep into how power gets constituted and is performed. Highly recommended!' Barbara Oomen, Utrecht University
