Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic

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Experience Bryon

Performing Interdisciplinarity

Working Across Disciplinary Boundaries Through an Active Aesthetic

Experience Bryon

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English

Routledge
15 December 2017

The Arts: General & Reference; Performance art; Theatre Studies; Psychological theory & schools of thought; Cognition & cognitive psychology

Performing Interdisciplinarity proposes new ways of engaging with performance as it crosses, collides with, integrates and/or disturbs other disciplinary concerns. From Activism and Political Philosophy to Cognitive Science and Forensics, each chapter explores the relationships between performance and another discipline.

Including cross-chapter discussions which address the intersections between fields, Performing Interdisciplinarity truly examines the making of meaning across disciplinary conventions. This is a volume for performance practitioners and scholars who are living, learning, writing, teaching, making and thinking at the edges of their specialisms.

Edited by: Experience Bryon
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 453g
ISBN: 9781138678842
ISBN 10: 1138678848
Pages: 252
Publication Date: 15 December 2017
Audience: College/higher education , Primary
Format: Hardback
Publisher's Status: Active

List of Contributors Acknowledgements Foreword - Claire Colebrook Introduction Experience Bryon Part I active aesthetic: Knowledge Performing Experience Bryon Part II virtual: Performance and Digital Joanne Scott Cross-Chapter Discussion: virtual & mediation mediation: Performance and Installation Art Luis Campos Cross-Chapter Discussion: mediation & utopia utopia: Performance and Social Geography: shattering the real with utopian dreams Selina Busby Cross-Chapter Discussion: utopia & role role: Performance and Pedagogy Jessica Hartley Cross-Chapter Discussion: role & embodiment embodiment: Performance and Cognitive Science Deirdre Mclaughlin Cross-Chapter Discussion: embodiment & story story: Performance and Psychology Antonia Batzoglou Cross-Chapter Discussion: story & virtual visibility: Performance and Activism Nando Messias Cross-Chapter Discussion: visibility & ‘the subject’ ‘the subject’: Performance and Political Philosophy Rachel Cockburn Cross-Chapter Discussion: ‘the subject’ & voice voice: Performance and Forensics Konstantinos Thomaidis Cross-Chapter Discussion: voice & visibility Index

Experience Bryon, PhD, is a performance practitioner and Senior Lecturer at the Royal Central School of Speech and Drama. She specialises in Practice as Research, interdisciplinary performance practice(s), physical/vocal praxis, and performance as it engages across disciplines. She is also author of Integrative Performance: Practice and Theory for the Interdisciplinary Performer (Routledge 2014).