Performance Practice in the Music of Steve Reich

Russell Hartenberger (University of Toronto)

$59.95

Paperback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Cambridge University Press
29 March 2018

Theory of music & musicology; 20th century & contemporary classical music; Non-Western music: traditional & "classical"; Individual composers & musicians, bands & groups; Percussion instruments

Series: Music since 1900

Performance Practice in the Music of Steve Reich provides a performer's perspective on Steve Reich's compositions from his iconic minimalist work, Drumming, to his masterpiece, Music for 18 Musicians. It addresses performance issues encountered by the musicians in Reich's original ensemble and the techniques they developed to bring his compositions to life. Drawing comparisons with West African drumming and other non-Western music, the book highlights ideas that are helpful in the understanding and performance of rhythm in all pulse-based music. Through conversations and interviews with the author, Reich discusses his percussion background and his thoughts about rhythm in relation to the music of Ghana, Bali, India, and jazz. He explains how he used rhythm in his early compositions, the time feel he wants in his music, the kind of performer who seems to be drawn to his music, and the way perceptual and metrical ambiguity create interest in repetitive music.

By: Russell Hartenberger (University of Toronto)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 244mm, Width: 169mm, Spine: 15mm
Weight: 520g
ISBN: 9781316606087
ISBN 10: 1316606082
Series: Music since 1900
Pages: 292
Publication Date: 29 March 2018
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

Russell Hartenberger, Professor at the University of Toronto, has been a member of both Nexus and Steve Reich and Musicians since 1971. With Nexus, he created the sound track for the Academy Award winning Full Length Documentary, The Man Who Skied Down Everest. With Steve Reich and Musicians he has recorded for ECM, DGG and Nonesuch Records, and performed on the Grammy Award winning recording of Music for 18 Musicians. His awards include the Toronto Arts Award, the Banff Centre for the Arts National Award, a Juno nomination, and induction into the Percussive Arts Society Hall of Fame.

Reviews for Performance Practice in the Music of Steve Reich

'This excellent book celebrates composer Steve Reich with an 80th birthday gift of publication. ... This reviewer gives an A+ to the publisher and author for offering this fine book on the subject. ... this volume gives a welcome and expert guide to the subject. ... highly recommended.' Geary Larrick, Nacwpi Journal 'This excellent book celebrates composer Steve Reich with an 80th birthday gift of publication. ... This reviewer give an A+ to the publisher and author for offering this fine book on the subject. ... this volume gives a welcome and expert guide to the subject. ... highly recommended.' Geary Larrick, Nacwpi Journal