Perceptual Drift

Black Art and an Ethics of Looking

Key Jo Lee, Erica Moiah James, Robin Coste Lewis , Christina Sharpe

$72.95

Hardback

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English

Yale University Press
06 December 2022

History of Art & Design Styles; Exhibition catalogues & specific collections; Ethnic minorities & multicultural studies; Black & Asian studies

A powerful reframing of the study of Black art and the historical and contemporary status of Black lives

Perceptual Drift offers a new interpretive model drawing on four key works of Black art in the Cleveland Museum of Art’s collection. In its chapters, leading Black scholars from multiple disciplines deploy materialist approaches to challenge the limits of canonic art history, rooted as it is in social and racial inequities. The opening essay by Key Jo Lee introduces the concept of “perceptual drift”: a means of exploring the matter of Blackness, or Blackness as matter in art and scholarship. Christina Sharpe examines Rho I (1977) by Jack Whitten; Lee explores Lorna Simpson’s Cure/Heal (1992); Robin Coste Lewis analyzes Ellen Gallagher’s Bouffant Pride (2003); and Erica Moiah James considers Simone Leigh’s Las Meninas (2019). This approach seeks to transform how art history is written, introduce readers to complex objects and theoretical frameworks, illuminate meanings and untold histories, and simultaneously celebrate and open new entry points into Black art.

By: Key Jo Lee
Contributions by: Erica Moiah James, Robin Coste Lewis, Christina Sharpe
Imprint: Yale University Press
Country of Publication: United States
Dimensions: Height: 298mm, Width: 210mm,
ISBN: 9780300263923
ISBN 10: 0300263929
Pages: 80
Publication Date: 06 December 2022
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Key Jo Lee is director of academic affairs and associate curator of special projects at the Cleveland Museum of Art.