Participatory Worlds

The limits of audience participation

José Blázquez

$284

Hardback

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English

Routledge
13 October 2023

Film movie scripts & screenplays; Popular culture; TV & society; Media, information & communication industries

Series: Routledge Advances in Transmedia Studies

This book is an in-depth analysis of participatory worlds, practices beyond the mainstream models of content production and IP management that allow audience members to contribute canonically to the expansion of storyworlds, blurring the line between the traditional roles of consumers and producers.

Shifting discussions of participatory culture and cross-media production and consumption practices to more independent media contexts, the book explores the limits, borders and boundaries of participating in today’s digital media storyworlds. The text examines how audience participation works, identifying opportunities to make it a meaningful practice for audiences and an asset for IP owners, and discussing the challenges and barriers that the application of participatory culture brings along. The book defines what meaningful participation is by introducing the concept of ‘intervention’ and explains a range of factors impacting the way in which participatory worlds and relationships between producers, audiences and the world are shaped.

This volume will be of great relevance to media practitioners, scholars and students interested in transmedia storytelling, fandom, literary studies and comparative literature, new media and digital culture, gaming and media studies.

By: José Blázquez
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 453g
ISBN: 9780367497781
ISBN 10: 0367497786
Series: Routledge Advances in Transmedia Studies
Pages: 158
Publication Date: 13 October 2023
Audience: College/higher education , Primary
Format: Hardback
Publisher's Status: Active

José Blázquez is a media practitioner and a senior lecturer in Media Production at Bournemouth University. His research mainly focuses on the study of audience participation in cultural production processes and the use of immersive media technologies in education, public health communication and entertainment.