"Their preoccupation with the pathetic fragility of the human body manifests in a yet more brittle way in the Personae, which present themselves as bodies disappearing into or emerging from masses of paper. This is especially true of the ""Paper Becoming Me"" sub-series from the mid-1980s and the subsequent ""Circus Costumes"" works, cast off the bodies of dancers posing in mid-movement. The dynamic of these works builds on the minimal and monumental ""Life Casts"" and the intimate ""Chest"" and ""Hip"" works. In contrast to the victimized passivity of the Angels, the figural presences in these subsequent pieces are active, even brave-seeming, plunging into or emerging from their paper shrouds with a vigor that at once asserts their vitality and exposes them to destructive forces - forces which Bleifer's compositions imply are a constant factor in the human condition. Peter Frank, Art Critic and Curator, 2017"