Painting, Science, and the Perception of Coloured Shadows: ‘The Most Beautiful Blue’

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Paul Smith

Painting, Science, and the Perception of Coloured Shadows

‘The Most Beautiful Blue’

Paul Smith

$284

Hardback

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English

Routledge
18 March 2021

Theory of art; History of Art & Design Styles; Philosophy: epistemology & theory of knowledge; Philosophy: aesthetics; History of science

Series: Science and the Arts since 1750

Many artists and scientists – including Buffon, Goethe, and Philipp Otto Runge – who observed the vividly coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as ‘beautiful’.

Paul Smith explains what makes these ephemeral effects worthy of such appreciation – or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multidisciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty).

This title will be of interest to scholars in art history, art theory, and the history of science and technology.

By: Paul Smith
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 246mm, Width: 174mm,
Weight: 580g
ISBN: 9781138488090
ISBN 10: 1138488097
Series: Science and the Arts since 1750
Pages: 176
Publication Date: 18 March 2021
Audience: College/higher education , Primary , A / AS level
Format: Hardback
Publisher's Status: Active

1. The Science 2. Light and Dark 3. Physics 4. Contrast 5. Constancy 6. The Criterion 7. Aesthetic Value 8. Conclusion

Paul Smith is Professor of History of Art at the University of Warwick.

Reviews for Painting, Science, and the Perception of Coloured Shadows: ‘The Most Beautiful Blue’

Everyday experience affords us a miraculous vision: in this deeply-researched and original study, Paul Smith traces the cultural history of the coloured shadow, a phenomenon that haunted the imagination and the practice of European naturalist painters between the Renaissance and the late nineteenth century; he shows how it has continued to elude scientific explanation until recent times, and argues that we may find in it beauty epitomized. In the course of his argument, he re-evaluates significant aspects of the theory and science of colour, with respect to painting and perception. His book will be valued both as a stimulus to thought on these subjects, and for its detailed and incisive analyses of paintings. - Brendan Prendeville, Goldsmiths, University of London