For Jenny Aitken, teaching painting is an absolute passion – her main aim is for students to be encouraged, informed and creatively enthused. She began tutoring and demonstrating ten years ago, and now runs online courses and art holidays around the UK and in Italy and France. Since graduation in Art & Art History from seaside university Aberystwyth, she has exhibited all over the UK and won many awards. She was elected an associate member of the RSMA in 2021, and won the Topbond Marine Award in 2022. She is currently represented by several galleries, including The Harbour Gallery in Cornwall and Peter Barker Gallery in Rutland. You can also view and purchase daily studies, paintings, prints, calendars and cards from her own online gallery on www.jennyaitken.co.uk Jenny is a regular contributor to The Artist Magazine, and an online tutor, with a series of 25+ modules on painting in oils and acrylics. She also produces shorter painting videos on YouTube. Jenny lives in Derbyshire, not far from the beautiful Peak District.
If you’ve ever looked at the dazzling light effects that Jenny Aitken suffuses into her paintings, you may have wondered how she achieves it. Now, in her first book about painting into the light, “contre jour” she generously reveals her secrets. The book reads like a friend is at your shoulder sharing their experiences, borne from years of not only painting, but teaching. This understanding of what students of light may want to know ensures that the language and topics are accessible through straightforward language and examples, clearly laid out in a way that you can dip in and out of what interests you most. While the book focuses on painting specific subjects contre jour, (with illustrated step by step projects on her personal approach to a wide array of motifs including seascapes, skies, snow portraits, woodlands, mountains and oystercatchers) it also offers more universal painting advice around central tenets of representational art. Tips on composition and contrast, simplification, brush language, and colour perception, will serve the reader well beyond the realms of contre jour. With practical advice on topics such as indoor studio and outdoor painting set up, how to get the most from reference photographs, and how to evaluate work, you can feel how Jenny wants you to succeed in your own painting journey. It’s like popping a knowledgeable friend on your shelf! -- Julie Dunster, Plein Air Artist