Chahinda Karim (1943–2021) was adjunct professor of Islamic art and architecture at the American University in Cairo, where she held full-time teaching positions during several intervals from 1984 onward. She was also adjunct professor at Helwan University for almost twenty years. She obtained her BA and MA from the American University in Cairo, and her PhD in Islamic art and architecture from Cairo University. She wrote widely on Mamluk architecture, particularly the Bahri Mamluk period, for journal articles and collected volumes.
"“Chahinda Karim’s comprehensive and well-illustrated survey fills a generational gap in scholarship on Cairo’s Ottoman architecture and reminds us of the formidable power of this magnificent city to mold all stylistic influences into a formal and spatial character all its own.”—Nasser Rabbat, Massachusetts Institute of Technology “With this meticulous study, Chahinda Karim at last fills a much-needed gap in Cairo’s architectural history, bringing us the glories of the city’s Ottoman architecture in clear and delightful form.”—Tarek Swelim, Hamad Bin Khalifa University, Qatar “A welcome contribution to the history of Islamic architecture in Cairo and of architecture in the Ottoman Empire, this amply illustrated and accessible documentation of religious monuments from four centuries fills a gap in the literature and stimulates further interest in the field.”—Doris Behrens-Abouseif, SOAS, University of London ""This copiously illustrated volume explores the little-known religious buildings erected in Cairo during the three centuries before 1800 when Egypt was ruled from the Ottoman capital at Istanbul. Combining meticulous first-hand observation with extensive research in the historical sources and archival documents, Karim shows how patrons and builders adapted foreign ideas and forms to local styles and techniques to create dozens of buildings that contribute to Cairo’s unique architectural heritage.""—Jonathan Bloom, Boston College ""Chahinda Karim is to be commended for bringing to light the architecture of an era poorly thought of and widely neglected. . . .This will be a welcome and useful starting point for all students who can visit the religious monuments of the Ottoman period.""—Caroline Williams, ASTENE Bulletin ""This work challenges a common misconception among scholars that Ottoman religious architecture in Egypt, from the 16th to 18th century, represents a decline in skill and attractiveness from the architecture of the preceding Mamluk period. The book shows how Mamluk religious structures influenced the Ottoman newcomers and their search for a new local architectural identity.""—AramcoWorld"