PERHAPS A GIFT VOUCHER FOR MUM?: MOTHER'S DAY
D.J. Taylor's Orwell: The Life won the 2003 Whitbread Prize for Biography. His other works of non-fiction include Thackeray (1999), Bright Young People: The Rise and Fall of a Generation 1918-1940 (2007), The Prose Factory: Literary Life in England Since 1918 (2016) and Lost Girls: Love, War and Literature 1939-1951 (2019). He has written a dozen novels, including English Settlement (1996), which won a Grinzane Cavour Prize, Trespass (1998) and Derby Day (2011), both of which were longlisted for the Man Booker Prize. His most recent books are the short story collection Stewkey Blues (2022) and Critic at Large: Essays and Reviews 2010-2022 (2023). His journalism appears in a variety of publication on both sides of the Atlantic, including the Times Literary Supplement, the Guardian, the New Criterion, the Critic and Private Eye. He is a Fellow of the Royal Society of Literature and lives in Norwich with his wife, the novelist Rachel Hore.
If you want to know how [Orwell] became a great writer, and a tormented figure, and a national treasure, David Taylor's New Life is the doubleplusgood place to start * New Statesman * An astonishing verdict on George Orwell's virtues - and his vices . . . [The book] adds fresh material to give a fuller portrait of the real Eric Blair . . . it is hard to imagine him portrayed more sensitively or judiciously than he is here * Telegraph * Incisive * The Times * Mr. Taylor's Orwell: The New Life is a new text that completes the picture by fleshing out Orwell's emotional life with recently discovered letters and interviews with the last living people to have known him. Expertly told and subtle in judgment, The New Life will not be the last word in the ever-growing field of Orwelliana, but it will become its central monument * Wall Street Journal * Fluent, careful, nuanced and revealing . . . Taylor is excellent on how Orwell's childhood nourished and shaped his life . . . Taylor presents Orwell's deficiencies unstintingly while at the same time managing not to toxify the subject . . . illuminating, fair-minded work * Irish Independent *
