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English
Methuen Drama
21 August 2025
Orchestration in Musical Theatre offers an analytic and critical overview of the practice, execution, and effects of orchestration in musical theatre since the time that rock music became significant in the genre.

Broadly described as the art of arranging a piece of music for a particular musical ensemble, orchestration is a specific skill that few composers or songwriters possess. This volume helps the reader understand and appreciate the art of orchestration and traces how the incorporation of rock and other types of popular music into scores for musical theatre on Broadway and in the West End fundamentally changed the genre’s sound. From discussions of specific instrumentation through to a brief history of the art, this book demystifies how different instrumentation contributes to a show’s soundscape.

Featuring case studies from shows such as Hair, The Phantom of the Opera, The Lion King, Wicked, and Hamilton, this accessible and engaging volume in the Topics in Musical Theatre series gives students the tools to identify and discuss how orchestration contributes to the drama, characterization and dramaturgy of the modern musical.
By:   , ,
Imprint:   Methuen Drama
Country of Publication:   United Kingdom
Dimensions:   Height: 164mm,  Width: 120mm,  Spine: 16mm
Weight:   115g
ISBN:   9781350451247
ISBN 10:   135045124X
Series:   Topics in Musical Theatre
Pages:   128
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Paperback
Publisher's Status:   Active
Overview: The Craft of Orchestration Since the Late 1960s Hair: Broadway Rocks The Phantom of the Opera: A Study in Tradition The Lion King: Exoticism on Broadway Wicked: Wrapping an Orchestra Around a Rock Band Hamilton: Broadway Raps Conclusion: Rapping It Up Glossary

Paul R. Laird is Professor Emeritus of Musicology at the University of Kansas, USA. He has published widely on the American musical theatre. Elizabeth Sallinger is Visiting Assistant Professor of Music at the University of Connecticut, USA. Her research focuses on the Broadway musical and orchestration, examining rock musicals in particular.

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