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On The Abolition Of All Polictical

Simone Weil Simon Leys Simon Leys Czeslaw Milosz

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English
NYRB Classics
15 October 2014
"An NYRB Classics Original

An NYRB Classics Original

Simone Weil-philosopher, activist, mystic-is one of the most uncompromising of modern spiritual masters. In ""On the Abolition of All Political Parties"" she challenges the foundation of the modern liberal political order, making an argument that has particular resonance today, when the apathy and anger of the people and the self-serving partisanship of the political class present a threat to democracies all over the world. Dissecting the dynamic of power and propaganda caused by party spirit, the increasing disregard for truth in favor of opinion, and the consequent corruption of education, journalism, and art, Weil forcefully makes the case that a true politics can only begin where party spirit ends.

This volume also includes an admiring portrait of Weil by the great poet Czeslaw Milosz and an essay about Weil's friendship with Albert Camus by the translator Simon Leys."

By:  
Introduction by:  
Contributions by:  
Translated by:  
Imprint:   NYRB Classics
Country of Publication:   United States
Dimensions:   Height: 203mm,  Width: 127mm,  Spine: 6mm
Weight:   120g
ISBN:   9781590177815
ISBN 10:   1590177819
Pages:   104
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

SIMONE WEIL (1909-1943) was one of the first female graduates of the Ecole Normale Superieure. A Socialist, she volunteered to fight against the Fascists in the Spanish Civil War. In 1938, a mystical vision led her to convert to Roman Catholicism, though she refused the sacrament of baptism. She fled to the United States in 1942, where, in solidarity with the people of occupied France, she drastically limited her intake of food, so hastening her early death from tuberculosis. War and the Iliad by Weil and Rachel Despaloff, and translated by Mary McCarthy, is published by NYRB Classics. CZESLAW MILOSZ (1911-2004) was born in Szetejnie, Lithuania. Over the course of his long, prolific career he published works in many genres, including criticism, fiction, memoir, and poetry. He was a member of the American Academy and Institute of Arts and Letters and in 1980 received the Nobel Prize in Literature. SIMON LEYS is the pen name of Pierre Ryckmans, who was born in Belgium and in 1970 settled in Australia. He taught Chinese literature at the Australian National University and was a professor of Chinese studies at the University of Sydney. Leys's writing has appeared in The New York Review of Books, Le Monde, and other periodicals. Among his books are The Hall of Uselessness (NYRB Classics), The Death of Napoleon (forthcoming from NYRB Classics in spring 2015), Other People's Thoughts, and The Wreck of the Batavia & Prosper. His many awards include the Prix Renaudot, the Prix Femina, the Prix Guizot, and the Christina Stead Prize for Fiction.

Reviews for On The Abolition Of All Polictical

It makes for fascinating, and unsettling, election-year reading. New Republic At a time when the distrust and disenchantment Americans feel with politics runs deeper than the Mariana Trench, Weil's essay 'On the Abolition of All Political Parties' would no doubt be a best seller. -- -Robert Zaretsky, from Recalling the Apostle of Nonpartisanship, What makes her thought so special, so bracing and so strange, is its combination of philosophical rigour and spiritual compass...Only a saint could withstand the pressure to conform to the prefabricated morality of the political realm; only a genius could formulate an idea outside the 'for' or 'against' thinking so long inculcated by party politics that it has become a kind of 'intellectual leprosy.' The tone and texture of this vivid editorial, however, renews a certainty that Weil was both. The Australian Weil's writing is unusual and compelling, in part, because it is both quite strictly rational and eccentrically spiritual. Her argumentation is so compact, so holistic, each sentence and paragraph building methodically on its predecessor, that trying to precis her is probably futile. To omit anything from a summary of her writing is to short-change her. She writes modestly and without flair, but her words all but radiate moral and intellectual conviction. Australian Book Review


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