On Comics and Legal Aesthetics

Multimodality and the Haunted Mask of Knowing

Thomas Giddens

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English

Routledge
25 July 2019

The Arts: General & Reference; Literary studies: general; Humanities; Popular culture; Law & society

Series: Discourses of Law

What are the implications of comics for law? Tackling this question, On Comics and Legal Aesthetics explores the epistemological dimensions of comics and the way this once-maligned medium can help think about – and reshape – the form of law. Traversing comics, critical, and cultural legal studies, it seeks to enrich the theorisation of comics with a critical aesthetics that expands its value and significance for law, as well as knowledge more generally. It argues that comics’ multimodality – its hybrid structure, which represents a meeting point of text, image, reason, and aesthetics – opens understanding of the limits of law’s rational texts by shifting between multiple frames and modes of presentation. Comics thereby exposes the way all forms of knowledge are shaped out of an unstructured universe, becoming a mask over this chaotic ‘beyond’. This mask of knowing remains haunted – by that which it can never fully capture or represent. Comics thus models knowledge as an infinity of nested frames haunted by the chaos without structure. In such a model, the multiple aspects of law become one region of a vast and bottomless cascade of perspectives – an infinite multiframe that extends far beyond the traditional confines of the comics page, rendering law boundless.

By: Thomas Giddens
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 458g
ISBN: 9780367404475
ISBN 10: 0367404478
Series: Discourses of Law
Pages: 230
Publication Date: 25 July 2019
Audience: College/higher education , General/trade , Primary , ELT Advanced
Format: Paperback
Publisher's Status: Active

Thomas Giddens is senior lecturer in law at St Mary’s University, Twickenham. He researches critical, comics, and cultural legal studies. He founded the Graphic Justice Research Alliance in 2013 and edited the collection Graphic Justice: Intersections of Comics and Law (Routledge 2015). He also edits the on-going ‘Graphic Justice’ special collection at The Comics Grid: Journal of Comics Scholarship and is a founding Co-Director of St Mary’s Centre for Law and Culture.