Nineteenth-Century American Literature and the Discourse of Natural History illuminates how literary experimentation with natural history provides penumbral views of environmental survival. The book brings together feminist revisions of scientific objectivity and critical race theory on diaspora to show how biogeography influenced material and metaphorical concepts of species and race. It also highlights how lesser known writers of color like Simon Pokagon and James McCune Smith connected species migration and mutability to forms of racial uplift. The book situates these literary visions of environmental fragility and survival amidst the development of Darwinian theories of evolution and against a westward expanding American settler colonialism.
By:
Juliana Chow
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Weight: 392g
ISBN: 9781108964920
ISBN 10: 1108964923
Series: Cambridge Studies in American Literature and Culture
Pages: 238
Publication Date: 23 October 2025
Audience:
Professional and scholarly
,
Undergraduate
Format: Paperback
Publisher's Status: Active
Introduction. Diminishment: Partial Readings in the Casualties of Natural History; 1. Sketching American Species: Birds, Weeds, and Trees in Audubon, Cooper, and Pokagon; 2. “Because I see – New Englandly – ”: Emily Dickinson and the Specificity of Disjunction; 3. Coral of Life: James McCune Smith and the Diasporic Structure of Racial Uplift; 4. Thoreau's Dispersion: Writing a Natural History of Casualties.
Juliana Chow is a scholar of American literature and the environment and feminist science studies; and she has published both academic and creative writing. She is on the board of Interdisciplinary Nineteenth Century Studies (INCS) and has held a research fellowship at the American Antiquarian Society.
Reviews for Nineteenth-Century American Literature and the Discourse of Natural History
'Recommended.' T. Bonner Jr, Choice '… offers a model for seeing, describing, and representing the natural world that has the potential to inspire future scholarship that is similarly attentive to the partial, the transitional, and the seemingly inconsequential.' Juliane Braun, American Literary History
