Michael Stern sets Nietzsche in conversation with Africana artists and philosophers to explore the role of aesthetics in decolonial worldmaking.
Nietzsche, a theorist of power, morality, and aesthetics supplies a description of a world making that also destroys. His notion of the will to power explains how particular and local interpretations spread and dominate. Stern situates Nietzsche's thought alongside those of Africana artists and thinkers who, confronted with the effects of the slave trade and colonial violence, speak to new theoretical paradigms addressing erasure and displacement and its relationship to form making.
Thinking Nietzsche with Africana Thought opens with Nietzsche's work on the human imagination and its institutionalized restrictions, written around when the Congress of Berlin divided Africa without the presence of Africans. The book ends with the Ghanian sculptor El Anatsui’s understanding of temporality, form, and naming as he creates a slave memorial in a Danish setting.
Eschewing notions of hierarchal authority and keeping in mind how epistemological racism has delimited our philosophical possibilities, Michael Stern employs thought from each lineage to open the space for what Frantz Fanon calls a human with a new sense for rhythm. What emerges is a different sense for history, morality, culture, and political life.
By:
Professor or Dr. Michael Stern (University of Oregon USA)
Imprint: Bloomsbury Publishing USA
Country of Publication: United States [Currently unable to ship to USA: see Shipping Info]
Dimensions:
Height: 218mm,
Width: 140mm,
Spine: 22mm
Weight: 920g
ISBN: 9798765139639
Series: New Directions in German Studies
Pages: 176
Publication Date: 04 September 2025
Audience:
Professional and scholarly
,
Undergraduate
Format: Hardback
Publisher's Status: Active
Part 1: The Poetics of Worlding 1. Forms and Rhythms 2. Rhythm, Repetition, Morality: der Mensch classifies Muntu Part 2: Reworlding the Unworlded 3. The Poetics of Unworlding: The Experience of an Unworlded World 4. Conclusion: Moving Towards a Poetics of Reworlding–Old Wood, Driftwood, Fire; Names drawn from Water Bibliography Index
Michael Stern is Associate Professor in the Department of German and Scandinavian at the University of Oregon, USA, and is affiliated with Philosophy, Comparative Literature, and the Humanities Program. He is the author of Nietzsche’s Ocean, Strindberg’s Open Sea and “Alluvia: The Palimpsest of African Memory,” which appeared Philosophy as World Literature (Bloomsbury, 2020).
